Archive for the 'New York' Category



26
Jun
08

Shh! I Can’t See!

One of the finest examples of those things that make remember why you love New York City is the New York Philharmonic’s free Concerts in the Park series. (Other cool free stuff in parks includes Shakespeare in the Park, Broadway Under the Stars, Bryant Park Summer Film Festival and the River to River Festival.)

One could go for the performance alone. It is one of the world’s finest concert orchestras. But plunked down at one end of Central Park’s Great Lawn, and playing to a crowd in excess of 60,000 and relying on a speaker system distributed throughout 13 acres, the full range and power of the orchestra is lost. The music on Tuesday night was fine, a simple roster of crowd-pleasers, a little “1812 Overture,” a couple of standard-issue Sousa marches — nothing too challenging.

But what makes the event is the gathering of friends, the wine and cheese and chips and wine and baguettes and wine, the crossover of strangers from picnic blanket to picnic blanket. It’s a rare moment when we all stop fussing with our super-important lives, take a breather to appreciate some of the beauty we literally pass by every day, and come together like a real community. It’s when New York is New York. Thousands of us all there for one thing: each other. And, by extension, the other guy. And, by extension, the other guy…

I brought five bottles of wine with me, a nice mix of reds and chilled whites, including a nice soave my friend Jamie seemed particularly delighted by. So much picnicking! So much conversation! So many people wandering around on cell phones trying to find their friends!

Seriously — “What did we do before cell phones?” We arrived on time.

A star-filled night (as star-filled as you get in the City) overtook the dusk, and soon we were surrounded by citronella candles and miniature flashlights and glowing cell phones and those infernal multi-colored phosphorescent plastic whips parents are powerless against purchasing for their kids. The Philharmonic stopped, and the fireworks began.

Fireworks never fail to delight me. They are so pointless and wasteful … but they are so brilliant! It’s like, we’re so happy to be alive and to be there that all we can think to do is light stuff on fire and hurl it up into the sky and watch tiny bits of metal burn and fall back to the earth.

The funniest part about the fireworks was the silence in the crowd. All through the performance, there was a low roar of chatter. People were talking about the workday, their vacation, their friends and family, the performance. Laughing. Shouting, “I’m right here waving my arms. See? No. Next to the tree on the other side of the speaker. No, the one with the pink and blue balloons — yeah — see me n— Yeah. Yeah. I’m right here. See me?” into their bloody cell phones. We even saw some guy propose to his girlfriend. We presume she said yes. Or at least that she would consider it.

But as soon as the instrument cases were latched tight, and the Philharmonic loosened their neckties, and we all turned southward to face the fireworks, everyone shut up. It was as if we had to … so we could see.

It reminds me of that line line in Ghostbusters when Ray says, “Listen! Do you smell something?”

It makes the eventual “Oh!” and “Ooh!” stand out. It sounds funny. Like we’re surprised. Like we haven’t seen it all a hundred times before. So my drunk friends and I started saying other vowel sounds, just for the sake of variety. “Aye!” “Uuuuh!” “Eeee!” They seemed as legitimate as the old standbys.

Then we moved on to consonants. “Fffff!” “Kkkhhh!” (which sounds a lot like a sneeze.) “Mmmm!”

It quickly degenerated into animal sounds. “Baa-aa-aah!” “Rrreeow!” “Waak waak!” “Moooo!”

We had killed the silence with our own performance. And the people nearby could hear us more clearly than they could hear the orchestra. I secretly dared someone to shush me. “Why?” I would ask. “Can you not see over the noise?” Annoyance with us would seem hypocritical to me, following a performance that many of them hadn’t even really listened to.

But apparently they had not come to see us, and no one said a word about it. They just continued to gaze back up into the sky, their eyes and mouths wide open, holding each other or holding themselves in the chilly summer night air.

And then it was over.

18
May
08

The Gay and the Godly

A man on the train this morning was witnessing for Christ hoarsely and vociferously. It was one of those moments when you curse the express trains out of Queens, because you know you’re stuck with it for a good number of stops. He started out collecting change for a “food program” for the homeless, which was dubious enough. (It’s how to be a Christian, he explained.) But he soon made it worse by lurching headlong into a tirade about Gee-zus.

You can be saved, he was telling us. Just say a prayer. He was generous enough to share that prayer with us. I won’t remember the words now, but we’ve heard it before: some combination of biblical quotation and plea for salvation in exchange for eternal allegiance.

“Boom!” he said. “You’re saved. Now how long did that take? Seven seconds. That’s all it took to save a crackhead like me. That’s right, I said I was a crack head.”

Somehow it didn’t surprise me that he had been a crackhead. What did surprise me was that seven seconds could save anyone. (Even Madonna had four minutes!)

“A good-looking man like me.” (I can’t confirm how good-looking he was. I was avoiding eye contact.) “I did some terrible things in my life. I did some despicable things in my life. Sold my grandmama down the river for a rock of crack.” (He said “crack” with the same fervent rhetorical emphasis as “Gee-zus” in a way that made me absolutely believe that he was very well acquainted with both, crashing through each consonant and elongating each vowel as if the words were struggling to escape from their sentences.) “But if I can be committed to crack, I can be committed to Christ. If I can be committed to crime, I can be committed to Christ.” And so on and so forth.

He was very interested in us committing ourselves to Jesus immediately. “Everyone believes when they’re dying,” he said, “because you got no choice left. You’re desperate. But you gotta do it now. You could die any time.”

“Yeah, but ain’t no one dying here right now,” one young woman said to her friend.

I have never been much for street preaching and missionaries. It’s sort of a pessimistic approach for a religion to take, if you ask me. No one will believe this unless we convince them by all means necessary. If Jesus is the way, the truth, and the light, these guys apparently have very little confidence that we’ll find him. Have they given up on teaching by example?

At the same time, I absolutely respect their convictions and the strength of their faith. I just sometimes wish they’d go get saved somewhere else. But you ride it out until you leave the train or he does. In this case, he backed out the door at Queens Plaza, still preaching his good word, and walked to the local track to transfer. We heard every word until the doors closed and reduced him to a muffled echo.

One night a while back, I saw one of these religious experiences turned around in a way I’d never seen before.

It was the end of the night for me and my boyfriend, and we were on our way home. We were comfortably lit and a little sleepy on the subway seats, not particularly in the mood for anything remarkable, looking forward to bed.

Three women stepped into the train and assumed spots standing directly in front of us. They looked very well put together, if not a little gaudy, like they had just come from a wedding, all long, gleaming fingernails, iridescent lips, bright brown and beige tones across their cheeks, gold and silver synthetic fabrics.

One of them had her eyes closed, and she was bobbing her head like she could hear music that the rest of us could not. When it became too much to contain in her head, she began to sing. It was “Amazing Grace,” and yet… it was not.

The other ladies perked up and sang along:

Amazing grace, how sweet the sound
That saved a wretch like me.
I once was lost, but now am found,
Was blind, but now I see.

It’s a beautiful song. Or, rather, it can be a beautiful song. But after the first verse, she ad-libbed the rest, singing simply “I love the Lord, I love the lord…” over and over against the same melody. It seemed spontaneous — and unplanned, judging by the uninventive lyrics. Occasionally one of the other women would join or take over the “song,” none of them contributing much but the odd vocal flourish or worshipful gesture of the arm. It must have been past midnight, so I guessed they had just come from some sort of day-long worship service — Methodist or Southern Baptist, by the look of it, if my sense of stereotype is anything to go by — and they were still a little touched by the holy spirit.

Unfortunately, very few of the other passengers seemed to be feeling it. I was annoyed by their righteous and presentational self-indulgence. What’s worse, it was all very monotonous.

Many people just looked away. Some glared up at the women. A gay couple across the aisle from us were rolling their eyes. I closed my eyes and sighed and hoped it would end, or that at least she would break out of the trance and sing something different. But rather than merely being annoyed, or telling them to shut up as we all wished we could, Jeff looked up and tapped one woman’s arm. “Hey, excuse me. Excuse me. Do you know ‘On Eagles’ Wings’?” he asked.

“On Eagles’ Wings” is one of those post-Vatican II hymns from the ’70s. It’s taken from Psalm 91. Everyone raised on Catholic Mass knows it.

No, they said, they didn’t.

Jeff stood up. “Can I sing it for you?”

I wasn’t sure if I was amused, pleased or embarrassed, but I looked at the floor for a moment. Not only was he responding to a pack of crazies, but he was actually participating. I was preparing to be mortified, but he began singing the refrain:

And He will raise you up on eagle’s wings,
Bear you on the breath of dawn,
Make you to shine like the sun,
And hold you in the palm of His hand.

And just like that, they were totally disarmed.

Ooh! they said. They did not know it, but they certainly liked it. How does it go?

So Jeff sang it again. It was like a walk-off for Jesus. The ladies enthusiastically tried to sing along with him as he stood there with his hands outstretched like a youth minister. All that was missing was a guitar and a tambourine. The gays across the aisle were laughing. Almost everyone in the car had a smile. And we were — what bliss! — approaching our stop.

“That boy has the Lord in him!” one of them called out as we stood to leave.

“Yes he does,” said another.

I had never thought of that before, but I supposed it was true. Jeff had succeeded in undermining their annoyance in their own language and in a way that was not disrespectful. It was brilliant and accidental, an unlikely connection between people very unlikely to cross paths outside of the Great Equalizer, the New York City subway system, and I have rarely been so amazed by him as I was then.

29
Apr
08

This sentence is worth 38 points.

In a city as big and old and famous as New York, there’s a landmark on nearly every corner. Someone was born here. Someone died here. Some drag queens started a social movement here. Someone recorded a watershed album here in the ’60s. Here’s a cafe from Sex in the City. Everyone’s got a story about some point of pride in their neighborhood.

Just recently, I learned that the birthplace of Scrabble is the Community Methodist Church in my neighborhood. To commemorate the fact, the street sign on the corner of 35th Avenue and 81st Street, where the church is located, has been made to look like it’s composed of Scrabble tiles. It’s a bit esoteric, like nerd humor, but I think a subtle nod to a great invention is more clever than a boring old plaque.

Scrabble

29
Feb
08

One Track Mind

The pet owner is bundled up against the winter elements. His dog, because this is New York City, is teeny-tiny and dressed in an outfit that costs as much as the man’s. The dog scampers along in front, keeping pace, pretending there is no leash connecting them. And then he stops to inspect the base of a retaining wall. The owner passes him and pauses, giving the lead a gentle tug. Come on. Time to go in, boy. The man shifts on his feet and shivers.

The animal stands there with his ass in the air, clearly shivering. He’s one of those little guys that shivers on a warm day. A bitter wind whistles under his tail and across his exposed belly. His single-mindedness and determination is almost inspirational. I’m coming, I’m coming. I just really have to smell this because it’s so … interesting, and I … Oh, wait, what’s this? Oh, now that… that smells awful. Isn’t that awful?

01
Feb
08

Open Doors

An optimist would say that when one door closes, another one opens up.

A New Yorker might say, rather, that when one door closes, I’ll just, um … stay outside, I guess.

Despite there being a row of unlocked, fully functional doors — say, at a subway station or a library — they will stream through the single door that happens to be open. Spending any time in public spaces with New Yorkers, one will undoubtedly recognize this peculiar behavior repeated over and over. Rather than boldly striking out and pulling open a second, third — dare I say it — fourth door, they rely on someone else holding the door for them. Telemarketers are less direct in their opportunism.

And just as certainly, when I throw caution to the wind and open my own door, a stream of commuters falls into line behind me.

Flocks of geese are less stringent in their formation. Hives of bees are less singular in their purpose. Oceanbound bales of hatchling turtles are less predictable.

And how many times, when I am leaving a building and someone else is arriving, will that person slide past me to enter as I open the door to leave — often with the effect of actually obstructing my exit? What is more rude: To assume I have opened the door for them, or to refuse to say thank you.

14
Dec
07

I Heart Ms. Pac-Man

01
Dec
07

Wonder Woman, Diva

   

If I had ever entertained any hopes of passing for straight, I dropped them like shorts at a circle jerk when I gasped at my first sight of a poster advertising an intimate evening with Lynda Carter. She was on tour and was to make her New York cabaret debut at Feinstein’s at the Regency, performing jazz standards with a six-piece band.

Thanks to Lifetime Intimate Portraits: Lynda Carter, one of my dearest possessions on VHS, I know that she first tried to make it big as a singer way before Wonder Woman and before becoming a beauty queen.

I had no idea she was still at it. Something like this could be amazing — or completely awful — but either way, what self-respecting homosexual could pass it up?

Don’t believe me that she can sing? Check her out on The Muppet Show:

(For more YouTube fun, check out those Maybelline Moisture Whip Lipstick commercials. Who could forget those? Honestly, love her as I do, I don’t know how people can do these things … or say the word “moist” so much without cracking a smile.)

The erstwhile Wonder Woman still looks heroic at 56, thank Hera. And she’s still got the pipes. Her October show was lovingly previewed and
favorably reviewed in the New York Times.

Intrigued as I was, I had to put all hopes of seeing Ms. Carter’s show out of my mind, because that same night, November 3, Jeff and I had a hot date with Annie Lennox, who was staging one of her achingly infrequent Stateside performances.

I don’t know who went to see Lynda Carter, because all the gays in three states seemed to be at the United Palace up on 175th Street that night. Throughout the long A train ride up to Washington Heights, we revealed ourselves as the passengers thinned out. When the doors opened at 175th, I had no worries about finding the place with such a large, lemming-like exodus of gay couples to follow. (I found it sadly telling that, after the show, the subway stop was so crowded again that we were at a virtual stand-still until someone opened the emergency gate to allow the flood through — in such a rush we were to high-tail it out of the neighborhood, apparently.)

Annie Lennox as Wonder Woman    
The invisible jet must be in the shop.
[youtube.com]

Interestingly, Ms. Lennox appears in her music video, Dark Road, dressed as a sort of homemade Wonder Woman sitting as a bus stop. For her Nov. 3 appearance, a tastefully be-glittered black sleeveless camisole and a rather conservative pair of flared black slacks was all the costume she needed to showcase <a href="http://www.newsday.com/entertainment/music/ny-etlennox1105,0,5100553.story
” target=”_blank”>her super powers. Her richly layered voice was color enough.

Given the chance to speak to her in person, I would thank her for not subjugating her show to a lecture. I have no problem with famous people using their celebrity and influence to do good in the world. What I take issue with is the often sanctimonious way they go about doing it. Her pet project, Sing, whose goal is generally to bring attention to the African HIV/AIDS pandemic and specifically to help implement the Mother to Child Transmission Prevention Program in maternity hospitals throughout South Africa, should be supported. And after the recent release of an album called Songs of Mass Destruction, clearly infused with feelings of despair and frustration in the wake of a globally unpopular war, it is reassuring that her intention with this tour was to project hope and joy. She had the good sense to remember that both she and her audience were at a rock concert, not a lecture hall, and everyone was there to have a good time.

Lennox rightly observed during her mercifully brief PSA that it is a privilege to be able to use her art to draw a spotlight to a worthy cause. During an extended round of applause, she stopped us. “No, please don’t,” she said. “It’s nothing. I’m going to shut up and sing now.”

20
Nov
07

It’s 2 a.m. Do You Know Where Your Contribution to Global Mercury Poisoning Is?

It’s like … ten thousand sick Nigerians when all you need is a clear desktop.

The day after we dropped off a non-functioning printer and a bag of old cell phones and chargers at the recycling center, we found this from the AP:

America Ships Electronic Waste Overseas

An excerpt:

SAN FRANCISCO (AP) — Most Americans think they’re helping the earth when they recycle their old computers, televisions and cell phones. But chances are they’re contributing to a global trade in electronic trash that endangers workers and pollutes the environment overseas.

While there are no precise figures, activists estimate that 50 to 80 percent of the 300,000 to 400,000 tons of electronics collected for recycling in the U.S. each year ends up overseas. Workers in countries such as China, India and Nigeria then use hammers, gas burners and their bare hands to extract metals, glass and other recyclables, exposing themselves and the environment to a cocktail of toxic chemicals.

“It is being recycled, but it’s being recycled in the most horrific way you can imagine,” said Jim Puckett of the Basel Action Network, the Seattle-based environmental group that tipped off Hong Kong authorities. “We’re preserving our own environment, but contaminating the rest of the world.”

Beautiful. You think you’re saving the planet, but really you’re just killing Chinese babies. Uhm … It was emotionally wrenching enough to get rid of my old Power Mac G3 in the first place (not to mention my dear departed iPod). I was hoping not to add unwilling complicity to murder into the bargain.

You just can’t win … so it would seem.

Lucky for us, we live in the civilized borough of Queens, and we dropped off our junk at Build it Green NYC‘s collection site in Astoria. In association with the Lower East Side Ecology Center, Build It Green provides a drop-off center for disposing of electronic equipment — the right way.

From their Web site:

Is any of the recycled material sent overseas?
No. We share your concern about dumping electronic waste on developing countries. Therefore we require that our vendors recycle all collected materials in the US and provide us with documentation about their down stream vendors. We audit this information to confirm validity.

Yay! We win.

For more information:

20
Nov
07

East Meets West

Today, the best-looking ground beef we could find at our local supermarket was halal. Reminds me of one of my earliest memories of the neighborhood. Standing outside a Rite Aid while Jeff was buying a pack of smokes, I saw a white-robed man wheeling a metal shopping basket heaped with goat carcasses across 37th Avenue. He disappeared into a restaurant. I knew I was in New York.

Dinner tonight was Swedish meat balls. Swedish meatballs with halal meat. Why is this funny to me?

14
Nov
07

The Emperor’s Children

The Emperor's Children
I can’t say I don’t recommend it. Just be prepared to take some time with it.

Messud’s writing style is dizzyingly parenthetic. I lost count of the sentences I had to read over two or three times before I could disentangle the syntax. It’s like a photocopy of exact thought at times: It may have made perfect sense to her, but not everyone can follow along. I accepted it early on as a stylistic quirk, but often it seemed gratuitous, a mishmash of clauses that could have existed happily as separate sentences, whose unholy union only complicated and obfuscated rather than providing any deeper meaning.

She uses several turns of phrase that just don’t parse for me. And I think she hit the thesaurus a few too many times. I am not an unintelligent reader, and I have my own fondness for good words, but what’s the point when it obscures rather than reveals meaning? It’s inexcusable, especially considering her consistent misuse of the very simple word “comprise” throughout. Sometimes it’s not so much the fault of the writer as it is her editor.

That said, the novel is engaging. Each chapter is written from the perspective of a one of the principle characters, yet the voice is a consistent coherent narrator. The variety keeps the story from getting too dull.

The one thing that binds all of them to each other is their tremendous self-indulgence. (I’m sure her own self-indulgent writing style was not nearly as intentional.) I recognized people I dislike in these characters. And isn’t it always the case — I recognized qualities I dislike about myself in them. It kept me from liking them too much to remain objective, yet it made them familiar enough to keep me paying attention.

What drew me to this book was my curiosity about the new spate of novels and short stories that have come out in recent years in which 9/11 plays a significant part. It annoyed me at first that anyone would reduce that day and its aftermath to a plot point — even if it was done well. Six years on, it can still be a ballsy proposition. But like all such events, it is a plot point. It is our history, our story, our plot. I admire the way Messud uses it at the end as a means of releasing &$8212; shattering — the characters out of their illusions, while still capturing the horror, panic and disbelief of those days. I think it had a similar effect on all of us, however short- or long-lasting it may have been.




the untallied hours