Archive for the 'New York' Category



14
Mar
07

Now, There’s a Man Who Gets Into His Work

The person on the other side of the counter is often so full of bile and vitriol that I have to check under the bun to make sure there isn’t a razor blade or thumbtack nestled between the lettuce and the tomato. If they spit in it, I’d probably never know. And it’s nothing I’ve done; I’m just in the wrong place at the wrong time. I’m not saying they shouldn’t be disgruntled. They may have a perfectly good reason. Her shifts are too long, monotonous, soulless. He’s frustrated he’s not doing something else. She’s mad at her boyfriend. She’s not getting paid enough to put up with this crap.

Maybe they’re just lazy and insolent.

Here’s some insight:

Whatever it is, they sure can suck the fun out of the lives around them.

Last night at a pizza place in O’Hare airport, we ordered two pepperoni pizzas. The woman behind the counter looked back at us for about five seconds, without addressing us, before turning to the kitchen and yelling, “Yo, A. Need you up front,” and then disappearing into the kitchen herself.

A man I presume to be A stepped through the kitchen doorway and stood at the cash register taking turns looking at each us patiently waiting, waiting, waiting for … something. Pizza, maybe. His huge, brown eyes rolled silently back and forth, stopping on each of us, expectant. They said, “Yeah? … What?” far more eloquently than I would have expected him to say with words.

Jeff stepped forward. “Two pepperoni pizzas. And two root beers.”

A snapped into action.

Later, when I returned to ask a third employee for two plastic forks, he slowly reached into the bin, grabbed one and handed it to me.

“Uh, can I have two?” I said.

Sometimes, though, they can work past the routine crap and have fun with their dull jobs. Like tonight. We got the old “if you see something, say something” speech on the F train into Queens tonight, but the conductor gave it a little panache.

If you see something, don’t be scurred and keep it to yourself. Tell a New York City police officer or an MTA employee. We may not be New York’s finest, but make no mistake, we run this town. Always have, always will. M. T. A.

Why shouldn’t this guy be disgruntled, too, like many of his colleagues? Maybe he was, but his theatrical interlude was ironically one of the clearest examples of professionalism I’d witnessed in quite some time.

Next stop on this Queens-bound F train is the bridge, the bridge, the br- br- br- br- br- br- bridge. Queensbridge.

In place of the usual grey faces of the ride home, most everyone who was listening had a smile. I imagine the conductor did, too.

12
Mar
07

New York Lesson No. 333: Neighbors

New York has a lot to teach me about how to be a good neighbor.

The morning after a rather long night not long ago, I stopped in at the corner bodega near my office for a Diet Red Bull. It’s a disgusting way to wake up, but coffee makes me jittery sometimes.

After having been a customer for two years now, I enjoy a certain a mount of familiarity there. I’m just another regular from the neighborhood, but it’s nice to be recognized. New York is a small town when taken neighborhood by neighborhood. You can feel pretty anonymous on crowded streets of the Manhattan workday, but you’ve got your deli and your cleaners and your coffee shop, and before long, folks in those places start to smile at you for real.

As I entered, I nodded at the cashier.

“Eh, boss,” he said.

I set the can on the counter. “Two dollars?”

He turned to his boss. “Two? Two-fifty?”

The boss looked over at me. “For you,” he said, his face widening into a grin, “two dollars. Because you are the best in the neighborhood.”

It was just silly. Nothing, really. The price probably really is two dollars. But things like this never happened at the suburban grocery stores of my childhood. As an adult, I find I’m often embarrassed by hospitality and friendliness. Sometimes I want to be anonymous.

I was raised a “bad” neighbor. Nothing against my parents; we just didn’t mix much with other the other families people living complete, unannounced lives across the yard and on the other side of the street. It just never came up. They were they; we were we. In the suburbs, our doors may have been unlocked, but our curtains were closed.

My mom occasionally availed herself to the babysitting talents of a few of the other moms when necessary, but even that limited interaction was short-lived. And it involved money. We were aware of the various divorces. (There was a mysterious rash of them in the mid-90s, as if families all through the neighborhood suddenly and simultaneously woke up from a dream.) I myself babysat for a few of the divorcées in the neighborhood. But we never had block parties. We never pooled our garage sales. The kids traveled in packs by day, but they returned to their quiet homes by night.

My world didn’t extend far beyond those kids and whatever life-threatening mischief we could conjure in the woods that surrounded the subdivision. It certainly did not include my friends’ parents. Parents of other kids were, without exception, formidable and utterly foreign. They occasionally drove us places. And if you couldn’t avoid it, they would sometimes talk to you. But one was always quiet and still in their presence. One did not address them directly.

So now I find myself not talking to my neighbors. I see them in the laundry room, in the elevator, on the bus. I may smile or nod. I may hold a door. But do I ever talk to them about so much as the weather? Rarely. Sometimes I feel like I should, and other times I think, what’s the point? We live in the same building — so what? We don’t choose each other. But the people in your neighborhood — the barber, the goofy guys at the bodega, the lady in the bagel shop — there is some choice involved. We make these people part of our lives on purpose. Yet I stumble whenever my barber asks me something besides “How short do you want it?”

On the bus recently a guy standing right next said to a woman just boarding the stairwell, “Sorry, we don’t let opera singers on this bus.” She recognized him and laughed, and they began a conversation — on either side of me — about some show they were rehearsing. I was jealous of their neighborly familiarity. Minutes later, the bus driver accidentally blew past a stop and a little old lady in one of the seats near the front said to him, “Lenny, you forgot me.”

“Oh, sorry, dear,” he said. He stopped at the corner and let her out. The opera singers continued all the way to the last stop. I walked from the bus to the subway and continued my silent journey.

09
Mar
07

Guess You Had to Be There

One of my favorite drunk friend stories — with some compensation for the bits I don’t quite perfectly remember:

So, she’s new in her grad school program. One Saturday night, she’s out to see a band play at some bar with some fellow students and some guys she met in the process of buying the tickets on craigslist. They’re having a great time, getting wasted, letting off steam, getting better acquainted. After the show they decide to continue drinking elsewhere. One of them knows a great place. They all pile into a cab and go.

She gets out of the cab after paying the driver and runs up to the sidewalk to rejoin her friends. But suddenly it seems they don’t know where they’re going. She gets kind of annoyed.

“Hey, guys, where are we going? What’s going on?”

OK, fine, they say. So they turn to enter a bar, and she follows them in. Moments later, they’ve all got beers, and she’s laughing and having a great time, and everyone seems to be getting along. A few of the guys are sort of standoffish, but hey, no big deal, right? she thinks. She’s mostly talking to one guy in particular, anyway, who turns to her at one point and says, “Hey, I gotta ask you one thing: Who the hell are you?”

“What do you mean?” she says.

“I mean, who are you?” he says. “What’s your name? Who are you?”

She holds her beer a little tighter and looks at him hard, a little offended. “What do you mean, ‘Who am I?’ We’ve been hanging out all night. We went to that show. We had a great time. We caught a cab. And then we came here,” she says.

“Uh … no,” he says. “We” — he gestures slowly to himself and his friends — “didn’t go to any show. You got out of a cab and just sort of followed us in here. And here you are. We have no idea who you are.”

She looks at each of them in turn, and it slowly dawns on her that she doesn’t know the other guys. Wait a minute. She doesn’t know this guy either. She looks around the bar. Where are the guys she came in with? She thinks back to the cab. They were right there? Where did they go?

The next day her friends would tell her that after they got out of the cab, she simply disappeared. They went one way and she must have gone the other. They assumed she went home. Instead, she had joined up with a group of complete strangers, followed them into a bar and started buying rounds with them.

All these guys know is that some strange girl just walks up to them out of the blue acting like she knows them. “Hey, guys! Let’s go!” It’s fine. She’s funny and cute. Each one thinks that one of the others must know her … until they all realize that none of them actually does.

“Uhh…,” she says.

The guy’s three friends are so disgusted with the whole thing that they just throw their hands up and walk away.

“Oh my god,” he says. “That’s so crazy. You have to let me buy you a drink.”

She sits with him a little while longer, but she’s feeling a little sick to her stomach. But they were right there!. She puts down her beer.

“Um, I think I’d better go.”

04
Mar
07

Can’t Come Quickly Enough

Scissor Sisters with bubbles
Pop!
[scissorsisters.com]

It’s hard for me to say who opened for Scissor Sisters last night at the Madison Square Garden Theater. I managed to glean that they are from Youngstown, Ohio, but not much more. When the duo introduced themselves to the audience shortly before exiting the stage, I couldn’t understand what they were saying. Neither could I understand their name when Jake Shears thanked them later toward the conclusion of the Sisters’ own set. I guess I’d thank them, too. They’re the kind of act anyone would want to follow. (A scattered few politely applauded between songs, but the loud, raucous, honest hooting and hollering came when they walked off.) Case in point: The three wigs on people-length sticks (one brunette, one red and one blond) set up on stage after Youngstown left, standing in a light show while ’50s-style girl group tracks played in the background, was more interesting in every way than the mysterious human opener.

They were called Wigs on Sticks. It was cute.

Following this was a DJ, about whom I knew nothing. It was good, but misplaced, I think. It would have been lovelier if we were at a smaller venue, say a music club, where we could actually dance. This kind of show doesn’t work well in a theater. Maybe I’m lacking in imagination, but a DJ set seems a little empty to an audience with seats.

By the time we had sat through an hour and 45 minutes of the Ohioans, the wigs, and the DJ — and by the time the audience was well and truly crocked, having been steadily streaming out into the lobby for cocktails and beers — we were positively starved for the Scissor Sisters. The long delay made their nearly hour-and-a-half show so much more the thrill. But so would it have done for nearly anyone with a microphone and a modicum of talent.

02
Mar
07

Heaven with White and Red Sauce

If you’re looking for a quick chicken fix without the side of rat droppings, run, don’t walk, to the 7, E, F, G, R or V train (but for the love of Mike, don’t run in the station) and head east into Queens. I can sum up gastronomic bliss in two words: Sammy’s Halal. This food cart on 73rd and Queens Boulevard in Jackson Heights is the winner of the 2006 Vendy Award. There is some discussion on Chowhound.com as to whether it is part of a group of Sammy’s Halal carts also found in Midtown and Astoria, and no one has offered a precise analysis as to how one compares with another, but for my money, after having visited the one in Jackson Heights, I have no reason to stray. He’ll have a small crowd gathered at his window. But it’s well worth a 10-minute wait. For five bucks you get a big polystyrene container with heaps of basmati rice, grilled seasoned chicken and a little bit of side salad. Get the white sauce and the spicy sauce. Mix it all up: Heaven.

Jackson Heights, long known for the amazing variety and quality of its cuisine, is lucky to have this guy.

Listen for yourself:

Incidentally, another of the five 2006 Vendy finalists, the Arepa Lady, is also in Jackson Heights, a bit further down Roosevelt Avenue. I haven’t found an arepa yet that blows my hair back, but maybe I’ll give her a go.

22
Feb
07

The Power of the Pen?

    Photobucket - Video and Image Hosting
Does this mean anything to you?

I volunteered to help at the will call for the 19th Annual Art Show preview gala last night. We get some rich folks who are annoyed by waiting in line, no matter how short, for anything. Spending thousands for a pair of tickets buys you some privileges, no doubt, but it does not raise you above the laws of physics or supply and demand. Happily, most people are willing to understand that quick and simple procedures for ticket pick-up are meant to prevent chaos and that everyone needs a ticket, whether they buy it or it is given to them.

One gentleman last night with two tickets needed a third. He was dressed rather well, and he spoke perfectly good English, but he was hard to understand because his voice was raspy, like a harsh whisper. (I’m guessing he spent many of the last 60 years smoking prodigious amounts of tobacco.) So we were having a hard time understanding what exactly he wanted to do. His last name starts with C, so he went to my line, “A-L,” first. I explained that if he bought two tickets, and if he had both of them in his possession, he would need to buy the third. I directed him to another line where he could do so.

This isn’t what he wanted to hear, but he was disinclined to explain further. He stepped away and came back moments later, this time to another will call agent, saying evidently that a gallery owner had left a ticket for him. She had nothing under his name and directed him to the event organizers, also seated at the will call table, who had a record of every ticket.

Minutes later he was back, complaining to my companion that the organizers had been no help to him. Evidently he had visited the coat check, as well, because he had in his hands a dog-eared letter, which he unfolded and placed on the table in front of us.

“Maybe this will give you some insight into my character,” he said, proudly but not arrogantly.

The letter, printed on White House stationery and comprising two, maybe three very short paragraphs, was nearly falling apart. He had used it before.

“Sir, I’m sorry,” she said. “I don’t have any tickets for you.”

“Do you know whose name is on that letter? See?”

“Sir, I—”

“Look: Who signed that letter?”

I sneaked a glance and saw a squiggle that I can see might have signified “George W. Bush.” Mr. C was getting indignant. Whatever anger he could muster came out as a stage whisper. Was he insulted that we weren’t bending to his will?

“Sir, I see that it’s the president,” she calmly explained. “But this has nothing to do with this event. I don’t have any tickets for you.”

“Well, I— What’s your name. I want your name,” he demanded.

“My name is printed on the card pinned to my chest,” she said, unperturbed. Was he going to report her? Have her fired from a volunteer job? You’re not allowed to volunteer here — ever again! Oh the shame of it! Be my guest.

She directed him back to the event organizers, and he angrily shoved off.

Who knows what that letter even said. I didn’t read it. I didn’t care. All it really proves is that he knows who the president of the United States is. I do too. And that’s not going to get you a ticket, no matter how rich you are.

21
Jan
07

Train, in Vain

Please use all available doors. Stand aside of passengers entering and exiting the train. Please stand clear of the closing doors.

How many times do I hear this? How many hours of my life do I spend on the F train?

How many times do people refuse to obey these simple rules?

My favorite times are when the conductors call people out, when they scold them and talk to them like they’re four years old. Usually they deserve it.

One morning last week, while we were stopped at West 4th, headed south, a man stepped between the closing door. He was asking people outside the train a question. He turned back inside and asked someone else a question. I presume the same one, though I couldn’t hear him. I was just coming to attention, out of that staring-into-nothing, looking-for-meaning-in-subway-ads commuter’s haze, just becomming aware of the people around me.

No one was responding to him. It was like he was invisible. Or crazy. Or some other ignorable species. But he was real, right there, holding up the train, stopping us from getting to work.

“Please stand clear of the closing doors!” the conductor said emphatically over the intercom.

The man continued to stand there. People began to show their exasperation, including me. I heard several sighs.

Answer him, you idiots, I thought. Let’s get going.

“The reason the train is not moving,” explained the conductor with false calm, “is that there is a passenger holding the doors open. Please stand clear of the closing doors!”

He asked his question again to someone sitting nearby who just sort of dismissively shrugged and shook his head. The man turned to me. He was dressed like anyone else. He didn’t look homeless or dirty or crazy. He seemed foreign, maybe, but his English was clear.

“Does this train go to Canal Street?” he said.

Is this all he wanted? No one could answer him this simple question? Everyone this far south on the F train at this time of day, with only four stops left before Brooklyn, should know that we are not going to hit Canal Street.

“No,” I said. “No it doesn’t.”

He relaxed his shoulders a little bit, went a little less stiff, widened his eyes. “Thank you!” he said.

I got the impression he was emphasizing this. Thanking me, to set me apart from all the others. I was at once pleased with myself and annoyed with everyone else who had ignored him. Would they rather simply be annoyed with him for holding the doors than to give him a hand and help ourselves in the process. His tone made me feel like I had just shown him the greatest kindness. It was kind of embarrassing. I had done nothing — apart from take 12 seconds to notice the people around me. Now, if I’d told him to transfer there for the A, C or E train, that would have been something

He stepped aside, the doors closed, separating him further from us, and the train lurched into motion.

19
Jan
07

Busted

On the F train home from work today, I noticed a woman sitting not far from me across the aisle. She was accompanied by two men about her age. There wasn’t enough room in the car for them to sit together, so all three of them were on separate pieces of seating.

I was trying to get a good look at the woman’s teeth, surreptitiously, as one does on the subway, distracted by the jagged and unaligned row in her lower jaw and the horse-like protrusion of the upper row. She was talking and making faces in conversation very freely, unashamed — and why shouldn’t she be? Still, I did have the word “snaggletooth” on my mind. Not a personal judgment, right? Just an observation. Just feeling lucky — or, rather, just being aware of her misfortune.

One of her friends, who was sitting nearer to me on my side of the car, gestured toward her, and she extended her foot toward him. He tied her shoe, and she lowered her foot again.

The old man directly across from me turned his head away from them. He had been watching them interact, smiling at the guy tying her shoe. I looked back at the two, and saw how they were looking at each other, how they spoke. Of course! They were a couple. The old man was on to it. And I was noticing the wrong thing completely all along. There was much more to say about the shoe-tying than about her crooked teeth.

18
Jan
07

Mmm, Jurors…

The most valuable thing I learned today at jury duty is to never throw away my lunch voluntarily.

It’s my first time ever on jury duty. I reported this morning at 8:30 in Jamaica Center and noticed immediately signs posted all over the entrance to the courthouse: “NO FOOD OR DRINK IN THIS BUILDING.”

I took a quick few gulps of the bottle of water I was carrying and tossed it in a nearby trashcan.

Now, I had packed a lunch this morning. In fact, doing so, coupled with the disorienting break in my routine, had nearly made me late to the courthouse. I briefly considered stashing certain pieces of it in my coat pockets, but I thought better of it, in view of the x-ray machines. They’d find it anyway. Rather than be the dummy who didn’t read the signs in the eyes of the security guards, I thought it better to dispose of it altogether. So I dropped my perfect, neatly packed brown bag into the can. Thunk! A bagel with cream cheese, celery sticks, four Oreo cookies, a banana and an orange — wasted.

For much of the day afterward, I was completely distracted, you might say “obsessed,” in retrospect by this decision.

  1. I hate throwing away food on principle. For me, it’s a question of morality. I eat all leftovers. I clean my plate.
  2. I was almost late to court for making the damn thing in the first place.
  3. The kicker: On the other side of the security checkpoint, people blithely strolled around with McDonalds and bagels and coffee and bags of this and that as if there had been no signs.

So, not only did I feel totally morally compromised, I also felt stupid for throwing money away and being duped by a completely fake rule. To boot, rather than scold these rampant food-carryers, the officer who gave us all our instructions told us that we could leave to get food at any time — and bring it back to the juror lounge! We just couldn’t bring glass bottles in. Whoop-ti-do.

So, what were those signs for?

I hate them.

Apparently the security guards don’t take them seriously, either: One such sign had been amended with a piece of paper, a Sharpie and some scotch tape to read: “NO FOOD OR DRINK IN THIS BUILDING — EXCEPT JURORS.”

So, I bought myself a lunch across the street later on. And rather than bring it inside the building, I sat outside on a slab of granite and ate it there. It was 20 degrees outside, but it was actually rather pleasant in the sun when the wind died down.

17
Jan
07

From Sí to Shining Sí

 
Ugly? Not really. Fun? You bet your ass.
[abc.go.com]

I can’t put it any more simply: I love Ugly Betty. Congratulations to América Ferrera for winning the best actress Golden Globe for a TV show comedy!

Forget all the feel-good nonsense about ugly vs. pretty and our culture’s insistent, insidious focus on glamour over substance. I mean, sure, give Jason Mraz a gold star for his earnest, cutsie ditty about “beauty in ugly.” He really gets it, right? Right. Of course, all that stuff is true. And obvious. Get her some lighter eyewear, lose the braces and cut that hair back, and she’s not really ugly. It’s marketing. It collapses on itself. And the conceit is so manufactured, I take it for granted. So leave it for the American Studies majors to digest in their pop culture theses.

What’s the really important impact of this show? It’s fun. And it’s about bloody time someone besides Marc Cherry is doing something to save TV from itself.

There’s a mystery woman in a veil obscured in darkness, marital infidelity, flashbacks to a fiery death, shadiness at the top of a publishing corporation, interoffice romance and intrigue, a plot to undermine a reluctant hero … and all kinds of standouts making the cliché not only bearable — but brilliant.

Vanessa Williams is at the best I’ve seen her. I loathed her “Save the Best for Last” days. But now, her high-camp evil set to medium-low burn is almost enough to make Glenn Close curse her own career as cheap and worthless. (Almost. No one can touch Glenn Close.) Eric Mabius: just plain yummy as a player with a heart of gold. A little rough around the edges, I think — but I hope I look half as good with crow’s feet (which, the way things are going, can’t be more than a couple more years off). We love cutie Michael Urie, whose Marc St. James is so gay it hurts. And welcome to America, Ashley Jensen! (She plays the so-Scottish-I-can-barely-understand-her-despite-years-of-watching-Eastenders seamstress and Betty confidante, and you should see her as the hapless Maggie in the HBO/BBC series Extras.)

And THANK GOD for the return of Judith Light! What a triumph! Good-bye, “Who’s the Boss” — hello, “Who’s Afraid of Virginia Woolf”! Her resurrection of the lanky, wise-cracking, self-absorbed, argumentative, alcoholic blonde archetype warms my superficial gay heart. She is Patsy Stone with Long Island Lockjaw.

Plus, Betty lives in a sound-stage replica of my neighborhood. Always a good sign.




the untallied hours