Archive for the 'People We Like' Category



15
Apr
06

Threepenny Opera

We recently saw the Roundabout Theater’s revival of Threepenny Opera, starring Alan Cumming, Cyndi Lauper, Ana Gasteyer and Nellie MacKay, while it was in previews. I didn’t love it but I enjoyed it. We ended up with great seats because I had screwed up and bought tickets for a Wednesday show and not the Friday show we were at. So, they gaveus best available, which was halfway back on main level, not up in the balcony, two rows in front of the back wall. Sometimes being an idiot pays off.

I know nothing about Berthold Brecht or previous performances of the show. And all I knew about it beforehand was that “Mac the Knife” came from it and the Bea Arthur was in a 1950s staging of the show. I saw her sing Pirate Jenny in her one-woman show a few years ago. So, I figured it would be pretty dark and baudy; low-brow. But it was far darker and baudier than I expected. And I didn’t get all the preachy moralizing about the criminal class at the end, but whatever… I don’t need to.

The cast was great; a good mix of voices and styles. It was less like watching a show than like watching a bunch of people getting together to put on a show. A review I read recently was highly critical of the production, but the writer found the individual performances praiseworthy, like the actors were all gathered to create for something great and then let down.

But we were there primarily to see Cyndi Lauper — much as we once went to a Cher concert only because she did a set between the forgettable opening act and Cher’s overambitious but entertaining headline performance. (More entertaining were the Cher drag queens in attendance.) She had blue hair. She walked out into the arena audience. It was bliss.

In Threepenny Opera, my girl Cyndi has an A+ voice. I mean, really top form. Total control. Her spine-tingling pipes start out the show from dead, dark silence with the opening song, “Mac the Knife.” I was so happy for her.

I’d have to give her stage acting something closer to a B+. Her lines were fine. She seemed mostly natural, but her timing was clearly off. I wasn’t disappointed, per se. Even though she’s only in three of four scenes. And I think they gave one of the songs she is supposed to sing to Nellie MacKay. Plus, it was in previews, and I’m sure she picked up a few things here and there to improve the part.

Cyndi’s moxie is in her singing voice. She expresses herself through a song. Her voice makes the mood of the lyric. This is why she’s good in a video. As amateurish as it may seem by more current standards, Time After Time can still make me cry. When she’s on that train doing that weird sign language with her hands, saying goodbye to her boyfriend, it’s wrenching. Why is she leaving? Who knows. Who cares? She’s leaving, and thats always the worst thing, right? Simple. Expressive. Real enough. And that RCA dog statue? Genius. Same with Madonna, incidentally, though Madonna has markedly less vocal talent than Cyndi Lauper. I think her best acting was in Evita, which is a two-hour music video.

28
Mar
06

I Heart Sufjan Stevens

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There are three I’s in Illinois
[ArtistDirect.com]

I am developing a small obsession with a folk musician from Michigan. I hear him all the time. But the problem is I just don’t like his music.

I want to like it. I really do. Critics roundly praise him. Public radio certainly loves him. (Find him on WNYC.org or NPR.org or MPR.org.) And I love public radio. So, there’s something, right?

But I’m just not feeling it. So I must be a joyless freak for not adoring him, I guess.

I bought Jeff his album Greetings from Michigan for Christmas. <!–(Take one look at Jeff, and you’ll see why.) –>The best thing about it is the cover art and the song titles — clever, promising numbers any Michigan nerd would love such as “Flint (For The Unemployed And Underpaid),” “For The Windows In Paradise, For The Fatherless In Ypsilanti,” “Say Yes! To M!ch!gan!,” “Detroit, Lift Up Your Weary Head!,” “They Also Mourn Who Do Not Wear Black (For The Homeless In Muskegon),” and “Oh God, Where Are You Now? (In Pickeral Lake? Pigeon? Marquette? Mackinaw?).” But listening to it in the car driving from Detroit to Saginaw was a rather depressing experience.

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More than a pretty picture
[www.musichallsf.com]

I like his guitar playing. I like his 50-state idea — the album after Michigan is Come on Bring the Illinoise. (I hope he makes it through all 50.) And he’s a total cutie-pie.

See? –>

But his music always leaves me with the feeling of having been at a high school music recital. There’s always a weird, unconnected brass arrangement or xylophone or something. His voice is cute but … shall we say unadorned. A whisper. A shadow. He uses layer upon layer of instruments and noise, but somehow it comes off sounding as flat as the Michigan sugar beet fields. It all adds up to a unique, very specific, practiced amateurish sound.

A sound I just can’t love.

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Sufjan Stevens and the Michigan Militia
[Sufjan.com]

But I will continue to try to love it. He’s more than a pretty picture; he’s clearly talented and prolific and musically versatile. Whatever he’s doing is deliberate, and that’s very cool. He is unique. I wouldn’t deny that I respect him. And I’m delighted that he’s getting so much attention.

The bottom line, I guess is: He’s a fellow Michigander — born in Detroit, raised up north. So I remain loyal to him. I wish him boundless success. I hope that I will begin to like his work very soon. And above all, I dream of the day he shows up at my doorstep, having been caught in a sudden rainstorm, his steaming t-shirt clinging to his lean, lithe body, asking me for a towel.

Let’s get you out of those wet clothes, shall we, Mr. Stevens?

16
Feb
06

Objets d’Amour

I like to have objects around me that remind me of Jeff

When I’m tearing through the house in the morning, getting ready for work, making lunches (for both of us), replaying and rehashing the argument from the night before, rehearsing stupidly the things I SHOULD have said, I get stopped by a rose standing in the center of the dining room table. He brought that rose home the night before Valentine’s Day. It’s from Rite Aid or somewhere. Not a big deal. But it was a surprise. And it was after I’d sent him out after his own cigarettes when I’d refused to get them for him. It is a lovely single red rose, which always looks dramatic and beautiful by itself. I was so delighted by it, and if I could I would keep it forever.

It reminds me of what’s important. Not the stupid argument, which we were pretty much over by the time we went to bed — until I had my and-another-thing moment in the shower in the morning.

I certainly hope Jeff has a similar outlook about love-infused objects. After keeping him awake all last night by moving in my sleep, I feel terrible. And I’m kinda scared of what revenge lies in store for me. Maybe he’ll look at a photographn on his desk and remember that he loved me … once … well, heck, Eric isn’t all that bad, is he?

21
Jan
06

The One I Love

I’ve been saying for years now that one of the supreme advantages of being in a long-term relationship is the ability to fall in love with the same person over and over. It’s comforting, yet strangely, every time it happens it sort of takes me by surprise.

Sometimes when I wake Jeff up before he’s ready to get up, he swats at me and grimaces and groans. But sometimes he’ll wake for a moment, open his eyes just a crack, see me and smile. In that moment, his brain is working on just the basics: His heart is beating, he’s breathing, he’s digesting. Yet, he has the reserved energy to smile. At me.

Of course, he’s off to sleep again in an instant. But for that brief moment, I know he loves me. He feels safe. He feels happy. And that’s pretty cool.

27
Dec
05

Metropolitan

About a month ago, Jeff and I went to the Metropolitan, in Williamsburg, Brooklyn. Nothing interesting happened. We met a friend from Park Slope there. Had some beers. Went back home. But it was a personal triumph for me and Jeff. An exorcism of sorts. We had been avoiding the place for over a year because of what we remembered about the last time we were there. Last fall, somewhere in the early days of November 2004, we met a friend there who would be found in his apartment a couple of weeks later dead from a heroin overdose.

We called him and persuaded him to meet us at the Metropolitan one night. He just wanted to stay for one drink. He had to get away for a little bit because he was having an argument with his roommate. We persuaded him to stay a little longer. He told about the argument. A plate was thrown and broken. It was something stupid. We told him we wanted him to come over for Thanksgiving, and we made tentative plans. Jeff and I were still new to the city, he having been here five months and I having been here just over one, and we were both hungry for friends. This guy was brand-new to us, but we felt like we were on a path toward something real. He was full of stories and jokes. He was comfortable and familiar after very little time. He had not the easiest life, but he wasn’t full of blame. He was just making do like anyone else. And he seemed so directed and in charge of himself.

The way he told it, he was at a point in his life where he was trying to ease into his 30s and settle himself a bit, to shed some drama and the people who bring trouble down on him. He was no stranger to drugs. He was known at at certain East Village connection points. But but he wasn’t irresponsible. He always took care of himself. And he wasn’t stupid. I remember he made a point of telling us once that he never touched heroin. He’d seen too many horror stories. And we believed him.

Jeff and I hadn’t heard from him since the Metropolitan a couple of weeks later. We knew he’d had some recent trouble with his phone, so we didn’t necessarily expect a call. We just didn’t know how to get a hold of him. So we walked into an East Village bar where we often hung out with him, half expecting to run into him. And we did, in a manner of speaking.

After a few minutes there, I noticed a tall candle burning in a glass enclosure with a note on it. I didn’t pay attention at first. Just some bar room bric-a-brac. But Jeff saw it, too, and we soon realized the note read: “For F____.”

You wonder sometimes when you don’t hear from someone for a while: Man, what if he’s dead. What would I do? How sad and weird! What’s the last thing we did together? When’s the last time we spoke? Wow, just imagine. Heh — I shouldn’t think like that. He’s fine. I should really call him one of these days.

We called the bartender over. Is that the same F____ we think you’re talking about? The bartender lowered his eyes. Yes, it was. And he told us the story: He had been found dead a fews days ago in bed in his apartment. He had been dead three days. It was a heroin overdose. There was a note next to him: “You looked so peaceful sleeping there, I didn’t want to wake you. —Ricky.” No one knows who this guy Ricky was. We think he’s the one who sold it to him. Either it was some bad shit or just a bad decision. Really loved that guy, you know. Everyone knew him. He was a real good guy. The funeral is this weekend in New Jersey. I can get you the information if you want.

Sure, thanks, we said.

We just sat there, silent, sort of stunned. Neither of us could imagine what to say next, except, occasionally, “I just can’t believe it.”

We left the bar without collecting the funeral information. I don’t think either of us wanted to go. He had far closer friends who should be there instead of us. It was a difficult night for us. We went for a good long walk and stayed up late talking about it and getting angry and sad and crying at times. The things you have seem so much more precious when you realize that someone you know has lost them forever. Forever. And what a waste to lose so much — all that goes into 34 years of life — and suddenly, it’s wiped out. Jeff and I had each other, so we held tight and remembered and cried for all of the things that would never be.

14
Nov
05

I Still Don’t Remember Her Name

In downtown Minneapolis, there is a parking garage at 9th Street and La Salle that looks like it will collapse at any minute. I called it the House of Cards Ramp, but it was cheap and close to The Saloon, where I was most likely to be found on a weekend evening, so I parked there often.

After a certain hour, the parking attendant no longer took money by hand, and drunk drivers were forced to insert dollars and quarters into a machine that controlled the exit arm. (Many times have I received an annoying 68 quarters after inserting a $20 bill.) The attendant was still on duty at this time, but hiding out in the little office, and he would only come out when the machine malfunctioned and the drivers were making enough of a fuss about it.

One night, a new person had started working the booth. She should have been a librarian or a high school hall monitor. She was a largeish woman, shaped somewhat like “Martha Dumptruck” from Heathers. She was probably in her mid-30s. She had large plastic-frame glasses, curly hair, a penchant for wearing pink sweaters, and such a pleasant and sweet demeanor that I wondered how long she would last at this particular job.

She was the sweetest thing, always saying hello and good-bye, efficiently counting my change and dropping the coins smartly into my palm. She was a little too nice sometimes, and not at all helpful usually. But somehow, when there was a problem with the after-hours machine, and the cars were lining up behind me expectantly, and she’d stand outside of my door encouraging me simply to try it again, try it again, try it again, the extra attention was always charming and reassuring.

She began to recognize me after a few weeks. She always made me smile on my way out of the House of Cards Ramp, no matter what drama I was escaping at the Saloon. It was fun to be just a little bit flirtatious with her. And one night I asked her for her name. I saw her so often, I said, I might as well know what it is.

I told her mine. And she told me hers.

And I promptly forgot it.

I always felt bad for her, having to deal with all the drunk homos pouring out of that ramp every night. Some people were downright rude to her. And it was beginning to show in her expression. So, I determined to be The Nice Guy.

The next time I saw her, I apologized. “I’m sorry,” I said, “but can you tell me again what your name is?”

She told me again.

The next time I saw her, I was excited to call her by her first name. But to my acute embarrassment, I realized I had forgotten it again. I played it cool. I didn’t use her name, nor did I ask for it again. I just tried to forget about the whole thing.

Over the months, her attitude began to change. She stopped smiling. She stopped talking. She would give me my change without looking up. When the machine malfunctioned, she would not come out and “help” anymore.

The job was getting to her. It was dragging her down. I tried my Nice Guy thing again and asked her for her name one night. She looked up at me, screwed up her mouth, cocked her head to the side, narrowed her eyes and did not answer me. You’ve got to be kidding me, that look said. I recoiled. The smile dropped from my face. I sat back in my seat, and I drove forward.

She had been transformed from a trusting, friendly, kind-hearted school nurse into a heartless, jaded downtown parking attendant. She was meaner than the men who worked there. I felt even worse about her situation and tried to be nice to her — until she started being rude to me.

Sometimes I wouldn’t have three dollar bills, and I’d have to give her a $10 or a $20. And she’d sigh heavily and avoid eye contact, throw open her drawer, and slap down the dollar bills. And I’d have to reach out of the car and grab for it myself. I’d drive away without comment, but strangely my feelings would be hurt.

Then the price went up to $3.50, and I always seemed to forget it. (After years of $3, $3, $3, you think you can count on something.) I’d hand her $3. At least it was correct change, right? And she’d look at me, thrust out her hand, and jab it forward a few times emphatically.

“Three fifty!” she’d bark.

And she’d jog my memory. “Ope! I’m sorry!” I’d say in that in-line-at-the-grocery-store voice. “I forgot again…”

And she would sit there, scowling and thrusting her hand again. I was flabbergasted. It was like being falsely accused of stealing. Maybe she thought I was teasing her. Whatever. I’d drop the precious 50 cents into her palm, and she’d let me be on my way.

She never got better. Sometimes she wouldn’t even shout “three fifty!,” but she’d just stare at me, waving that fucking hand of hers. One time when I forgot the 50 cents and she gave me that attitude, I lost it.

“Look! Calm down! I’m not trying to give you a hard time! I. Just. Forgot.”

But she never cracked that stony exterior. I never saw that nice lady in the pink sweater again. She had became The Raving Bitch of the House of Cards Ramp. That was her official title. We referred to her as The Bitch for short. My friends and I grew to hate her. There was always an edge of sadness to the stories we would make up about her as we drove away, because I remembered how she used to be. But she had lumped me in with the rude idiots who park in that ramp. She mistook my forgetfulness for intentional troublemaking. Before long, her attitude was justified.

I still don’t know her name. Maybe if I’d remembered those years ago, I’d have been able to maintain that small bridge to her kinder side.

19
Sep
05

Patience and Fortitude

Today is the first anniversary of my wedding day. Jeff and I celebrated with a quick walk around the environs of the New York Public Library building at Bryant Park, where, three years ago, he proposed to me, and a quiet dinner out in the West Village.

Patience flanks the south side of the NY Public Library front steps. (NYPL.org)

Standing just behind the marble lion on the south side of the front steps, Jeff distracted my attention toward some pigeons or something, and when I turned back, there was a small, gray box sitting in front of me on the low wall surrounding the terrace. What else could it be but a ring? Its sudden appearance was still a total surprise. And the first thing I thought was “Why didn’t I propose to him first?” And then “How long has he been planning this?” I snapped open the lid and looked at the simple white gold band, and I hardly knew how to look at him anymore.

“Will you marry me?” he asked. And wishing I could say something more heroic, I took a deep breath and said “Yes.”

After slipping the ring on and holding Jeff for a good long time and looking back and forth several times between his tearful eyes and the shining ring, we walked away together to explore the city.

Incidentally, as we turned to go, we saw we were in front of a Starbucks and were sort of amused and horrified at once. Had he just provosed to me in front of the Starbucks? Technically, yes. And looking in three directions and seeing three more Starbucks, we realized there was little chance in Midtown Manhattan of not proposing in front of one.

This was two years before we moved to New York. September. Jeff thought the library was simply a good bookish place to propose to a former English major. And I loved him for making that choice.

When I later learned that the two lions in front of the library building are named Patience and Fortitude, the appropriateness of that location was even more clear, whether Jeff intended it or not. After love, what are the most essential ingredients of a relationship? Patience and fortitude: a willingness to deal with not only your own problems, but also the challenges someone else brings to your life; and the strength to do it again and again.

And again.

Jeff and I got into a stupid fight the night before our anniversary. We were drunk, and I was being stupid. It was not the way either of us wanted to start our second year of marriage, but there it was — poorly timed, but when is a good time for an argument. I slept in the second bedroom and woke up clear headed enough to remember almost everything from the night before.

We’ve had some spectacular fights in the last eight years. Nothing physical. We don’t duke it out. We just suddenly snap and bark at each other like young dogs. Once I slammed the bedroom door so hard it I broke the door jamb. Once Jeff threw a brick of sharp cheddar on the floor. Broken plates. Overturned ashtrays. Nothing that can’t be swept away.

And we still enjoyed our pilgrimmage to the library today, albeit after sleeping in until mid-afternoon and sheepishly tip-toeing around the apartment. We visited our little sacred spot behind Patience and kissed and held on to each other like our lives depend on it — because they do. We still had our dinner out at his favorite place, Good (which was not-so-good tonight, as it happens). We got dessert at a café with a few friends and had an early night in watching a movie and teasing our cat.

Because we can.

With patience and fortitude all this marvelous mundanity can be ours.

The Starbucks is no longer on that terrace in front of the library. The lions aren’t so easily moved. Those marble guardians stand against time and the elements. And in a way, so do we. We stand against a legal system that is only reluctantly starting to accept us but still doesn’t recognize my marriage, a population that pendulates between misunderstanding and ignoring us, and patterns of self-destructive behavior that threaten to divide us from our friends and family and each other. Witness last night: We can clearly stand against each other. But even in doing this, we do not stand apart. In the end, we always settle in to a soft, close, quiet place and sigh and take a moment to look around at the leather-bound volumes of our years together and find a sense of pride and accomplishment and relief. We remember how important it is to stand together, guarding this little relationship of ours.

P.S. We’re now looking for statues named after “wisdom,” “beauty,” and “financial responsibility.” If you have any leads, let me know.




the untallied hours