Archive for the 'The People in Your Neighborhood' Category



17
Feb
06

My Barber

Call me a tightwad, but I refuse to spend $40 on a men’s haircut. Changing the color or texture? Sure, I’ll pay for it. (In more ways than one. I am an ugly blonde.) But clipping me from one and a half inches to one inch? Sorry. A specialized skill, yes, but not rocket science.

This stubbornness has gotten me in trouble more than a few times. I lucked out with the nice Vietnamese lady at Cost Cutters back in Minnneapolis, where I paid $12. But sometimes she wasn’t in, and the sub would invariably screw it up. Sometimes if I was feeling adventurous, the nice moustachioed homosexual gentleman (who looked like a non-verbal Mark Twain — he seemed to communicate only with gentle grunts and the reassuring clicking together of his many gold bracelets), at Great Clips one strip mall over, would give it his best. But he usually went too short or trimmed up the back in a weird shape.

Not long after starting my job on the Lower East Side, I found my place. There’s a $9 barber — the least I’ve ever paid — about five blocks away. It’s a father-and-son operation. And typical of many small New York City businesses, these barbers also repair broken watches and replace batteries on the side.

Because … well, why not?

They’re from Uzbekistan, I think, or somewhere in eastern Europe. I once asked the son if they were Russian, and he said yes. But then the next time I saw him, he explained that they were actually Uzbek. Or whatever it was. (I wish I remembered.) So I don’t know. All I know is they are Jewish. Not that this fact is in any way remotely related to barbering.

These guys do a fine job, but they could use a little help keeping the place clean. I’ve seen occasional roaches crawling up the walls or across the sink. But they don’t wash my hair there. So who cares? I’ve seen roaches in my own kitchen, and I don’t shoo visitors away from it.

Plus: It’s Nine Dollars — for a perfectly functional haircut. (Still, it wouldn’t kill them to tidy up a bit.)

I prefer when the son cuts my hair. He’s probably in his mid-20s. Dark features. Heavy, but not fat. Robust. Thick arms and fingers. He was probably shaving once a day at age 13. He remembers me and always says hi when I step in on my lunch break. He does a better job than his dad.

When a bad barber’s chair is free, should I wait for another barber who I trust? Anyone would. It’s common. But it always felt rude to me. It’s just a haircut, and I’m kinda in a hurry, so why fuss? I’m pretty utilitarian about it. If it’s bad, I have my Detroit Tigers cap. And it’ll always grow back again.

The father is a big old bear of a man. When he leans in to cut, his ample belly presses against my arm and he has to stretch to reach. The main problem with this is the fog of body odor that tumbles out of his shirt sleeves whenever he raises his arms. He keeps his brow furrowed at all times, and he keeps his mouth firmly shut in a frown — which is a good thing, because his breath also smells terrible. Sometimes he sighs heavily through his nose, and I catch a whiff. I try to match his breathing so I don’t inhale when he exhales.

He’s quiet, unlike his son, who asks me about work, tells me about the new coffee shop in the neighborhood (right next door to his uncle’s shoe-repair shop — nudge, nudge — I love the Lower East Side), tells me about his sister-in-law who is having a baby. I’m not attracted to him, but I like being around him. He’s so comfortable. I guess I feel safe around him or something.

The last time the father cut my hair, everything looked good at the shop. But when I got back to my office and caught a glimpse in the mirror, I saw that the front part on the left side was about a half-inch longer than on the right. Combed over, as he had done, it all blended. But flat against my forehead? We had problems.

So, I wetted my hair down when I got home that night and took a pair of clippers and snipped a better line across my forehead.

Good as new.

Nine Dollars. What can I expect?

I’m totally going back.

05
Jan
06

Thank You Very Very Much

There’s a woman on the second floor of my building who has the strangest influence on my mood. It’s funny and a little embarrassing how much involuntary control she has. She’s about five feet tall, has dark brown hair, except for the bits that are going gray, and is probably in her early 50s. She’s sort of sagging and tired-looking, but she’s much brighter when she smiles. When she’s nice to me, I feel like a Good Neighbor. When she’s unpleasant — which is how I usually find her — I sneer at her behind her back and roll my eyes. What’s her problem?

I usually see her in the elevator or at the front door. She doesn’t say much to me. I have seen her exhibit exactly three emotions: indifference, gratitude and extreme annoyance.

For instance, sometimes when the elevator stops at the lobby floor, and I’m exiting and she’s standing outside waiting, I’ll push the outer door outward and she’ll jump. “Hi,” I’ll say. And she’ll ignore me and step on, looking offended, even while I hold the door for her. I don’t know why she always stands so close to the door. I guess she’s probably expecting to open it herself. And when it opens for her, the whoosh of the air pressure briefly blowing her hair in her face, she gets annoyed and startled by another person being there.

I have no reason to take it personally, so the feeling fades before long, but her attitude always knocks my mood down a notch. I think it’s because I can’t predict her reaction and there’s nothing I can do when she’s angry. I don’t know what anyone has ever done to her.

Once, while I was on my way to the fifth floor, the elevator stopped at the second floor. As she began to step on, I said it was going up. She clicked her tongue and heaved a heavy, practiced sigh, but stepped on anyway. She rode with me to the fifth floor in complete silence before heding back down to the lobby. I just sort of stared at her feet, wondering where whe was going in those slippers.

I guess I don’t really know anything about her, so she can be a paper cutout of a neighbor, and I can therefore have simple feelings about her and project whatever I want onto her two dimensions. I don’t know what goes on in her head.

Sometimes she just ignores me altogether. I saw her on the sidewalk near the building one morning. She passed me without a word. When I started walking behind her, she sped up, as if she were escaping me or something, stealing a sideways glance to keep an eye on me. Like I’m going to mug her at 9 in the morning? I simply passed her on the side and went on my way.

Sometimes she’s nicer. If we happen to enter the elevator at the same time, and I hold the door open for her, she’ll thank me. And when she exits, she’ll say very politely, “Have a good evening.”

I find myself often holding the front door for her, too. “Thank you very much,” she’ll say, with an enormous smile, as if the last thing she expected was some help from a neighbor and I came along at just the right time.

The other day was very special for her, apparently. I was on my way out to work in the morning, and she was coming in with two large plastic grocery bags. Rather than watch her fumble for her keys, I held the security foor for her and opened the outer door for her simultaneously. “Oh, thank you very much. Thank you very very much!” she said.

There’s a brief thrill feeling like a Better Person those times when she gets all huffy and snooty for no apparent reason. But I think on the whole I prefer when she’s nice. I don’t expect ever to have to exchange much more in the way of conversation than basic pleasantries as long as I live in this building, and being nothing more than an upstairs neighbor, that is enough for me. To think that I’ve given her a reason to smile — her overreaction notwithstanding — brightens my outlook for a few minutes. She’s so unpleasant most of the time, I wonder what the reason might be. The contrast of her suddden happiness makes me consider that there’s a real person inside that skin of hers.

05
Dec
05

Who Are the People in Your Neighborhood: Traffic Lady

Before I changed my hours at work a few months ago, every morning on my way to the subway I used to see a crossing guard at the corner across 82nd Street from a Catholic school in my neighborhood. She directs streams of children and impatient parents across 35th Avenue, on their way to the school on the site, for a couple of hours every weekday.

She is a perfect example of someone who has tured a job I would consider boring, or at least monotonous, into the pin on which the rest of the world spins. She is so earnest in her duties that I was often slightly annoyed by her — I am not a morning person, and usually I’m in a hurry and cranky on the way to work. Now that I get only rare doses of her, I’ve come to see her as a sort of treat.

She wears her uniform with her black-brimmed white cap and white gloves, her day-glow vest, of course, and always dark glasses, whether the sun is bright or not. If it’s raining, she’ll have a rain coat on and a clear plastic covering for her hat — and still the day-glow vest.

Her pedestrian traffic-directing zeal is such that I can hear her even before I reach the near side of the street. She steps out onto the corner with her palm raised toward the cars stopping for the red light shining above her head. Then she turns to face the people on my corner waiting for the WALK signal and wildly swings her other hand in a wide, neat circle in front of her, like she’s beating the air. It’s precision and directness seem almost violent. I imagine she has a strong arm. She calls across, “OK. Cross now. Come on. Come on across!”

She whips that hand around like it’s so very important. Like our lives depend on that motion alone. She’s showing off how hard she is working for us. Clairee does this in the final scene of the film Steel Magnolias when Annelle goes into labor at the Chinquapin Parish Easter egg hunt. Clairee shoves onlookers aside, sort of side-shuffling across the lawn to clear a path, and using a similar circular forearm motion to direct Annelle to safety, which turns out to be the open passenger side door of Spud’s truck 10 feet away. As if Anelle and the friends propping her up on either side couldn’t have found it alone — or if Spud might have lost control of the vehicle and careered into the pregnant woman. It has always been, in my mind, one of the unforgivable moments of Olympia Dukakis’ performance. (The other big one is her declaration at the Christmas party: “The only thing that separates us from the animals is our ability to accessorize” — a great line, delivered beautifully, but which falls flat when the other actors do not respond, leaving Dukakis to smile dumbly and walk off into the house for no reason. Her Oscar-winning turn in Moonstruck more or less makes up for it, though.)

I’m sure the traffic lady saves kids’ lives daily, but I’m not sure how effective she is for the adults. Many people are already crossing before she opens her mouth — or her hands. People cross against the lights all the time. Including myself. I wonder sometimes if she’ll ever try to stop anyone from crossing on a red light — rushing into the street to grab someone by the hood or scarf and drag him back to the corner, or standing in someone’s way with her arms out and shouting “You won’t get past me! I dare ya!”

But I’ve never seen it.

Her voice is a cross between Cyndi Lauper and Elaine Stritch. “Goo’morning!” she cries, as we pass her. “Goo’mornin’, dea-uh. Goo’mornin’. Have a nwice day. Goo’mornin’, dea-uh.” Despite the automatic, thoughtless way she says it, I think she greets each of us individually. It is at once officious and personable.

Sometimes she’ll be talking to a woman with a baby stroller or a small child by the hand and, with the distraction, she is a little less like a toy soldier. Walking by, I catch just a snip of the conversation.

“Yuh kiddin’ me.”

“Oh, I knaow! I couldn’t bullieve it! Huh own dwaughtuh. So, I says to huh, I says…”

I smile and sigh. I love Queens.

Usually I get to that corner after 9 a.m., after she’s left. But if I leave early enough, I see her still. She was a regular feature of my day. She is as much a fixture on that corner as the lamp post. I know that if I ever wanted to I could stop and ask her how her morning is going. I could be the lady with the stroller and spend a few minutes chatting. But I really don’t think she would care. And honestly, who wants to be responsible for distracting her?

08
Nov
05

There Was a Crooked Man

Remember that nursery rhyme? There’s one such man in the neighborhood where I work. Rather than the crooked mile of the nursery rhyme, I see him every couple of weeks walking the gentle curve of Clinton Street.

He’s not merely hunched over. He’s bent 90 degrees at the waist, his arms pinned behind his back, his hands clutching a collection of plastic grocery bags filled with something or other, bouncing along against his thighs with every step. He does not look up. All he seems to see is the ground just a few feet in front of him. He wears a dark gray, slightly tattered suit. His hair is gray and frizzy, and he has a longish salt-and-pepper beard. I have no idea what his face looks like, but his skin looks like it gets too much sun. Usually he just wanders here and there. He is always alone.

Walking back to the office from another late-afternoon coffee break, and enjoying the unseasonably warm mid-autumn weather, I saw him again today. I used to think of him as just another eccentricity of the Lower East Side. There are so many. But today I was alarmed to see that there was something more to him than I had assumed. Today, he was drooling.

Great copious amounts of saliva were pouring from his mouth. Maybe his nose. I couldn’t tell, and I’m not sure it mattered. He was walking in front of me, and we were headed in opposite directions. As we neared each other, I could hear him making a sound. He wasn’t speaking, as far as I could tell. With each step forward, his torso, bobbing from the motion, pushed short bursts of air out of his lungs, creating a sort of rhythmic moaning. His drooling, of course, followed the same rhythm. He was flowing all over the sidewalk in front of him in an unbroken stream. It was extraordinary.

I wondered if he was uncomfortable. Would he appreciate a Kleenex at that moment? Was he sick? Was he crazy? Was his back severely damaged or deformed? or did he walk this way by choice? I could tell he had some groceries in his bag — so clearly just recently he had interacted with someone to make a purchase. Unless he was carrying it from wherever he lived. How might it be to talk to this guy, I wondered. How does he get the money to the cashier if he can’t stand up straight? How lonely he must be. Lonely and covered in his own spit.

There’s a crooked woman in the neighborhood where I live. I see her a couple mornings every week on my way to the 7 train. She routinely takes her life in her hands by standing in the middle of 82nd Street. She stands there, her face buried in her sweater, clutching an extra-large Duane Reader bag stuffed with something or other. usually her head is covered by a hood, so she has no peripheral vision. Drivers will slow their vehicles on approach and
carefully pass around her. Sometimes, she’s walking slowly down the middle of the street, making it a harder to judge clearance.

Sometimes I see her standing in the elevated train station. She has no apparent intention of passing through the turnstile and boarding the train, but she is safe at least and away from passing cars.

She looks intensely unhappy. Her face is constantly screwed up as if she just ate a spoonful of earwax. I can’t imagine what she is up to.

I wonder if someone takes care of these people and whether they’re homeless. If so, how do they survive? When I see them, is it because they’ve wandered away from a safer place? or are they always unsafe and alone in the world?




the untallied hours