Archive for the 'Minneapolis' Category



20
Mar
07

Put ‘Em on Me

Hand    
Empty and untouched
[fantasy arts resource project]

When I had a chance to touch Cyndi Lauper recently, I turned it down.

When she walked out onto the peninsula of stage projecting out into the masses assembled on the floor of the club, she reached down to the frantic hands grasping at her knees. She briefly clasped fingers, slapped palm to palm, butted fist to fist.

My friend pulled me closer and shouted into my ear. “Do you want to go up there and touch her hand? I’ll go up there with you.”

I hemmed and hawed and eventually decided no. No, I won’t.

“OK,” she said, “but if you change your mind, let me know. I’ll go up there with you.”

I wanted to go up there. No I didn’t. Yes I did. I looked at the bouncing crowd at her feet. It was packed. I’d have to be pretty aggressive to get up there. Rude, even. But I might never be so close again. And why shouldn’t they share her with me? Oh, why didn’t I start out closer to the stage before the show started, when there was plenty of room to stake out a spot?

    Cyndi Lauper
I couldn’t get a good snapshot, but memories “R” Good Enough.
[dnamagazine.com.au]

Lauper retreated, and the hands came down. My moment, my chance, had passed. Much more importantly, I could stop fussing and wimbling and concentrate on the show.

I looked over at my friend. What have I done? (What have I not done?) She sort of shrugged, as if to say, Well, that’s that. I asked you.

Cyndi Lauper was performing with Soul Asylum, Lifehouse and Mint Condition in a benefit concert for Wain McFarlane, a friend of mine. He needs a new kidney, and with the inadequate health insurance of a man who makes a living as a musician, Wain can’t afford the procedure and, more importantly, the anti-rejection drugs he’ll have to take the rest of his life. Thankfully, his brother is donating the organ, and it’s a good match. Things could be worse. But he’s still got to pay for it.

All the performers have a professional and personal connection to Wain, and agreed early on to do the show. Jeff and I flew back to Minneapolis for the show to support our friend — and, I’m not ashamed to say, to see Cyndi Lauper.

Before long, she was back on the peninsula, and my friend was elbowing me in the ribs.

I was reminded of a guy I met online whose cowboy hat Madonna took off his head at a concert last year. She wore it through a song and threw it back out into the crowd. He was apoplectic with joy. (His friends strongarmed the poor person who caught the hat into returning it.) Oh, why can’t I be like that guy?

As it was, I was embarrassed even to be standing there with my cellphone pointed upward trying to snap a few photo. My real camera had been barred at the door, but it didn’t stop us from flipping open our phones, the constellation of those tiny video displays glowing blue and shifting shape for the hour-long set.

It felt so lame and ineffectual. Every time Lauper looked in my direction, possibly even making eye contact a couple of times (which was thrill enough for me), I could feel her disappointment. You’re missing the point, idiot. This is music. This is a party. You’re trying so hard to capture the moment that you’re missing it.

She had enough to contend with, including a band that seemed unable or unwilling to keep up with her and some sound techs who just couldn’t seem to get it right. The diva — cold, raised voice, and forceful gestures (Move. There. Now.) — came out a couple of times. She is the boss and in total control. But she is not without flaws herself. When she dusted off “When You Were Mine,” an apparent gesture to local-boy-made-good Prince, she had forgotten many of the lyrics and couldn’t seem to read them very well from the back of a flyer where they had been scribbled. Eventually, she dropped the paper and rocked the chorus out instead.

None of the images I took turned out, by the way.

I had a friend in college who was a Tori Amos groupie and had a picture of herself with Amos from every concert she had attended. The dedication of waiting at the stage doors after each show, the consistency and Amos’ eventual recognition of her, was impressive to me. I was jealous, but also alarmed. It seemed obsessive. Why the need to do it more than once?

A group of three women pushed past me toward the stage, annoying the enormous man standing next to me. The one in front would gently displace someone and then her friends would rush through. It was a nuisance. There was no room for them. I hated them. I wanted to be them. No, I didn’t.

I don’t think less of people for wanting to make that contact. They were fulfilling a “need” that Lauper was willing to accommodate. Unlike my friend with the Tori Amos fetish, I suppose I just didn’t feel that need strongly enough to act on it. Unlike these women, I didn’t want to interfere with other people’s experience for an ultimately empty gesture.

It struck me that this may not have been about me. By refusing to push forward, I was keeping my friend from getting closer, too. All the emotion around my devision was instantly transferred to guilt. I should do it for her, not me. Though I guess her boyfriend could have taken her up there if she really wanted to go.

It’s enough for me to consider that I am only a degree away from Cyndi Lauper. I felt like an insider just being there. I had the hubris to think that maybe Wain would introduce us after the show. It would be just weird to touch her hand like everyone else. She talked about her upcoming True Colors Tour (which won’t stop in Minneapolis), days before the official announcement. But even that is meaningless. I don’t know her. I have nothing to say except as a one of millions of distant fans.

Cyndi Lauper is a formidably talented musician, not a faith healer. I would love to meet her and tell her I admire her and thank her for helping me friend. But I don’t want to reduce her to a fetish. What would I get out of touching her hand? The transferance of greatness? A palm full of sweat? Maybe the human touch would be just enough to assure them that she is as real as they are. Or that they are as real as she is.

Dammit, I should have just gone up there and done it.

26
Jan
07

Kidney Tones (with apologies to Jeff)

   
From the cover art of Wain’s 2001 release That Was Then, This is Now
[myspace.com/wainmcfarlane]

These days, my good friend Wain sticks mainly to cranberry juice. He jokes now about his bar tab. Not long ago, he’d drop a twenty at the most on a night out, because so many people would buy him drinks and the bartenders would do him favors. But no one gets anyone a cranberry juice, even good friends. He has to buy his own. And at a bar they charge you like it’s a cocktail. So now he spends much more not drinking than he ever did drinking.

He’s no alcoholic, and this is no 12-step program. Trust me, if he had his druthers, Wain would be back to the booze — free or not. But he’s got a problem with his kidneys that makes alcohol highly … um … disagreeable to his system. He’s on doctor’s orders. (And when that doctor is from the Mayo Clinic, one doesn’t argue.)

Wain’s kidneys are functioning at roughly 6 percent capacity. He needs a new one pretty badly. And as a musician, he doesn’t have heaps of disposable income and he doesn’t have great health insurance. He does have three things, however, in abundance: luck, friends and connections.

The luck came in at a bar in Walker, Minnesota, out in the north woods. He plays up there sometimes. At this bar, by chance, he met a doctor. That doctor knew a kidney specialist at Mayo. And suddenly there was Wain’s golden opportunity. Introductions made … 87 miles each way between Minneapolis and Rochester, Minnesota … tests taken … and voilà! We have a surgeon and we have a donor (one of Wain’s brothers).

The friends came in shortly thereafter. A bunch of musicians decided to get together to produce a benefit concert on March 10. Wain fronted a funk/reggae band in the ’80s and ’90s called Ipso Facto, and he’s been around the block a few times, having played with Prince’s band, Dave Pirner, Jonny Lang, UB40, Tracy Chapman and scores of others. This is where connections come in.

A few years back, Wain’s brother was Cyndi Lauper’s tour manager, and she became friendly with the family. Wain tells me he once saw her at a party in a gorilla costume. A musician he mentored toured with her. When she performed at the Minnesota State Fair in 2004, she let Wain sing “Time After Time” with her, letting him ad lib a verse dedicated to his late sister. She brought him back out on stage for “Girls Just Want to Have Fun,” which Wain and her bass player spun into an impromptu reggae jam.

A connection.

   
[cyndilauper.com]

So, we are told, Ms. Lauper has graciously agreed to lend some of her time and abundant talent to the cause. And many other people he’s worked with are helping out, too: Lifehouse, Mint Condition, Soul Asylum. You can read about it on her Web site.

Wain was our neighbor for more than three years. His wife Catherine, another good friend, was our landlady. He sang at our wedding. We planted vegetable gardens and herb gardens together. They babysat our cat. We’ve had Easters and Thanksgivings. We’ve dined on curried goat. We’ve toasted aquavit. He once gave us 15 lbs. of crab legs (there wasn’t enough room in his freezer for 30 lbs.) because the parents of a kid he tutored are fishmongers and they paid Wain in fish.

We just saw Wain right before Christmas. And I guess we’ll be back in March. Apparently he thinks we don’t visit enough, so he’s hauling out the heavy ammunition. I’ll take any excuse to go back to my adopted home for a visit. Even in a month as c-c-cold as March. But it’s not Cyndi Lauper who’s luring us back. It’s the prospect of being part of a concert full of people who are there to give their love to my friend.

(Truth be told, having Cyndi Lauper there, too, doesn’t hurt.)

To all my Minnesotans: Please buy tickets!

21
Dec
06

Goode Grief!

It’s always great when lunatics on the Right demonstrate their ineptitude and blatant xenophobia as clearly as Virgil Goode, a Republican representative from Virginia. It justifies so many of my liberal convictions.

He objects to the decision of Keith Ellison, a recently elected Democratic U.S. representative from Minnesota, to use the Koran when he is sworn in next month. Apparently some voters in Virginia wrote to complain to Goode — who knows what for, except perhaps to put ignorance, idiocy and irrelevance to paper. Goode rewarded them with a heart-warming personal response in which he incongruously rails against illegal immigration and advocates severe restrictions on legal immigration. According to the Times, some intern somewhere must have screwed up, because the good Congressman’s mailing list accidentally included a guy from the Sierra Club — who had written the Congressman about an environmental issue in Virginia, not a representative from Minnesota. This is apparently the guy who made the letter public.

Goode says Ellison’s decision to make his oath on the Koran is unamerican. I guess what he’s saying is that America is not the land of the free and the home of the brave, but rather the land of the Christian and the home of the white man.

“I fear that in the next century we will have many more Muslims in the United States if we do not adopt the strict immigration policies that I believe are necessary to preserve the values and beliefs traditional to the United States of America and to prevent our resources from being swamped,” he wrote.

Not that we should make it our business to specifically screen Muslims out of immigration proceedings, but Goode seems to have completely missed the mark here anyway. Keith Ellison is from Detroit. And while that may seem like a foreign country to many people (trust me, I grew up nearby), he can trace his family history in the United States back to the 18th century.

He also wrote that “if American citizens don’t wake up and adopt the Virgil Goode position on immigration there will likely be many more Muslims elected to office and demanding the use of the Koran.”

Heaven forbid.

It may have escaped his notice that the Constitution allows for people of all religious stripes to run for Congress. Further, their swearing in does not include the use of a religious text. It’s only at the public ceremony that a book is used.

And why should we care if it’s the Koran or The Lord of the Flies? The Hebrew Bible and Mormon texts have been used in the past.

Goode’s attempt to conflate wrong-headed anti-Muslim sentiment, fueled by anti-terrorism rhetoric, with immigration issues is little more than an admission of his gross ignorance and incompetence.

So, bravo! to the intelligent voters of Virginia’s 5th district for electing this loser to Congress. I hope he gets them everything they deserve.

Virginia Democrats, don’t despair: There are some decent folks in Minnesota who are willing to vote in a competent person to represent their interests to the U.S. Congress. You may want to move up north and cast your lot with them.

(Mind you, Minnesotans are also responsible for the election of Michelle Bachman. There may be no hope anywhere in this country.)

14
Sep
06

Norway, José

KARE 11, a TV station in the Twin Cities, has issued an ad campaign in — what else? — Norwegian. At the end, he even says, “Ya, you betcha.” They’re promoting their new weatherman. And let me tell you, weather(man) or not — this kid is a little hunk of cute.

With a name like Sven Sundgaard, he sounds like he owns a coffee shop in Lake Wobegon. What choice is there? It begs for a little Scandinavian navel-gazing.

14
Sep
06

R.I.P., Oddfellows


[oddfellowsrestaurant.com]

My favorite restaurant in all the world was a darling little number in Northeast Minneapolis. (“was” … It hurts just saying that.) It was attached to a gay bar called Boom! under the same ownership. I just learned that the venerable gay-owned Oddfellows closed down on the 10th and Boom! will pull up stakes later this month, which makes me very, very sad. Some heteros got in on the “Nordeast” economic boom and bought them out, I guess.

Oddfellows always claimed it wasn’t a “gay restaurant,” which I found to be a.) usually inaccurate given the clientel, and b.) irrelevant and a slightly off-putting designation.

However, their chow was magnificent. The menu changed every season and was always fresh. Oddfellows described its food as “Contemporary American Cuisine with an ‘odd’ twist of flavors from around the world.” (Read the description here, before their Web site completely disappears.) Their orange-lacquered pork tenderloin was one of the finest dishes on earth. And I once had a lavender-infused custard dessert there that nearly made me mess my pants. Oddfellows taught me to appreciate excellent gourmet food in human-sized (read: non-Applebee’s) portions, and to not be so uptight about a high restaurant bill — as long as it’s worth it. And it always was.

The inimitable Dara Moskowitz of the alternative news and arts weekly CityPages predicted upon its opening that it would become a “big destination restaurant.”

 
The shingle soon to be removed.
[oddfellowsrestaurant.com]

The restaurant and bar occupied a historic building (c. 1891), the meeting lodge of the Independent Order of Oddfellows. Lots of exposed brick and holes in the wall where heavy timber floor joices once inserted. The high pressed-tin ceiling throughout was cool. The blonde woodwork was a little bit too “Target” for my taste, and the stainless steel bar felt a little cold to me. But it was always clean and bright.

I’ll miss that place. Lots of anniversaries, birthdays, Valentine’s Days and impromptu “fancy” dinners out.

As for Boom!, I can take it or leave it. As a bar, it was not remarkable. The burgers were fantastic, and the fries were tasty (both were from the Oddfellows kitchen), but the drinks were too pricey and it was famously impossible to get a bartender’s attention on a busy night.

The one thing that impressed me about it (besides its Nordeast location — I lived in the neighborhood) is that it was the first gay bar I had seen in the Twin Cities that had enormous windows that were not blackened out or boarded up. It left the ‘mos inside exposed to the blue collar and the sunlight. To me it represented a proud declaration that Minneapolis’ queers would not be kept underground and in the dark.

Oh, how I used to love standing in front of those wide-open windows on Showtunes Night, belting out “Nothing Dirty Goin’ On” from The Best Little Whorehouse in Texas, being gay and free.

03
Aug
06

Minneapolis, How Do I Love Thee? Let Me Count the Ways.

Just feeling nostalgic.

• Nordeast Minneapolis
Surdyk’s
• Surdyk’s Cheese Shop
• The unshaven, misanthropic Surdyk’s Cheese Shop workers — Can I try a slice of … that one?
Nye’s
Psycho Suzy’s Motor Lounge
• Room in the back yard for a vegetable garden, an herb garden, and a butterfly garden
• Fish & chips at Brit’s Pub
• Aloof disdain for the Mall of America
Guthrie Theater
Jungle Theater
Walker Arts Center
The Lagoon Theater
Bryant Lake Bowl
Dykes Do Drag
• The Mississippi River
• Progressive politics
• City Hall
• The Skyway
Lake Calhoun
• Watching the joggers, rollerbladers and cyclists at Lake Calhoun
• Lakewood Cemetary
• The luminescent Target Corp. tower
Loring Park
Minnehaha Falls
Stone Arch Bridge
• St. Anthony Main
• Let It Be Records
• Big Brain Comics
• The Capitol
• The House of Cards parking ramp
• ’80s night at The Saloon
• Doc, the best bartender I’ve ever seen
• Professing hatred for The Gay ’90s but going there to dance in the retro bar anyway
Minnesota Public Radio
• People who know where Lake Wobegon is
St. Paul’s Cathedral
Caribou Coffee
• The straight kickboxer bartender at Trikkx who worked shirtless during happy hour
• Disagreeing with the snobby, joyless movie reviews in CityPages
• The stupid-looking banner of the Star Tribune
The Minnesota State Fair
• St. Paul
• All my friends

14
Nov
05

I Still Don’t Remember Her Name

In downtown Minneapolis, there is a parking garage at 9th Street and La Salle that looks like it will collapse at any minute. I called it the House of Cards Ramp, but it was cheap and close to The Saloon, where I was most likely to be found on a weekend evening, so I parked there often.

After a certain hour, the parking attendant no longer took money by hand, and drunk drivers were forced to insert dollars and quarters into a machine that controlled the exit arm. (Many times have I received an annoying 68 quarters after inserting a $20 bill.) The attendant was still on duty at this time, but hiding out in the little office, and he would only come out when the machine malfunctioned and the drivers were making enough of a fuss about it.

One night, a new person had started working the booth. She should have been a librarian or a high school hall monitor. She was a largeish woman, shaped somewhat like “Martha Dumptruck” from Heathers. She was probably in her mid-30s. She had large plastic-frame glasses, curly hair, a penchant for wearing pink sweaters, and such a pleasant and sweet demeanor that I wondered how long she would last at this particular job.

She was the sweetest thing, always saying hello and good-bye, efficiently counting my change and dropping the coins smartly into my palm. She was a little too nice sometimes, and not at all helpful usually. But somehow, when there was a problem with the after-hours machine, and the cars were lining up behind me expectantly, and she’d stand outside of my door encouraging me simply to try it again, try it again, try it again, the extra attention was always charming and reassuring.

She began to recognize me after a few weeks. She always made me smile on my way out of the House of Cards Ramp, no matter what drama I was escaping at the Saloon. It was fun to be just a little bit flirtatious with her. And one night I asked her for her name. I saw her so often, I said, I might as well know what it is.

I told her mine. And she told me hers.

And I promptly forgot it.

I always felt bad for her, having to deal with all the drunk homos pouring out of that ramp every night. Some people were downright rude to her. And it was beginning to show in her expression. So, I determined to be The Nice Guy.

The next time I saw her, I apologized. “I’m sorry,” I said, “but can you tell me again what your name is?”

She told me again.

The next time I saw her, I was excited to call her by her first name. But to my acute embarrassment, I realized I had forgotten it again. I played it cool. I didn’t use her name, nor did I ask for it again. I just tried to forget about the whole thing.

Over the months, her attitude began to change. She stopped smiling. She stopped talking. She would give me my change without looking up. When the machine malfunctioned, she would not come out and “help” anymore.

The job was getting to her. It was dragging her down. I tried my Nice Guy thing again and asked her for her name one night. She looked up at me, screwed up her mouth, cocked her head to the side, narrowed her eyes and did not answer me. You’ve got to be kidding me, that look said. I recoiled. The smile dropped from my face. I sat back in my seat, and I drove forward.

She had been transformed from a trusting, friendly, kind-hearted school nurse into a heartless, jaded downtown parking attendant. She was meaner than the men who worked there. I felt even worse about her situation and tried to be nice to her — until she started being rude to me.

Sometimes I wouldn’t have three dollar bills, and I’d have to give her a $10 or a $20. And she’d sigh heavily and avoid eye contact, throw open her drawer, and slap down the dollar bills. And I’d have to reach out of the car and grab for it myself. I’d drive away without comment, but strangely my feelings would be hurt.

Then the price went up to $3.50, and I always seemed to forget it. (After years of $3, $3, $3, you think you can count on something.) I’d hand her $3. At least it was correct change, right? And she’d look at me, thrust out her hand, and jab it forward a few times emphatically.

“Three fifty!” she’d bark.

And she’d jog my memory. “Ope! I’m sorry!” I’d say in that in-line-at-the-grocery-store voice. “I forgot again…”

And she would sit there, scowling and thrusting her hand again. I was flabbergasted. It was like being falsely accused of stealing. Maybe she thought I was teasing her. Whatever. I’d drop the precious 50 cents into her palm, and she’d let me be on my way.

She never got better. Sometimes she wouldn’t even shout “three fifty!,” but she’d just stare at me, waving that fucking hand of hers. One time when I forgot the 50 cents and she gave me that attitude, I lost it.

“Look! Calm down! I’m not trying to give you a hard time! I. Just. Forgot.”

But she never cracked that stony exterior. I never saw that nice lady in the pink sweater again. She had became The Raving Bitch of the House of Cards Ramp. That was her official title. We referred to her as The Bitch for short. My friends and I grew to hate her. There was always an edge of sadness to the stories we would make up about her as we drove away, because I remembered how she used to be. But she had lumped me in with the rude idiots who park in that ramp. She mistook my forgetfulness for intentional troublemaking. Before long, her attitude was justified.

I still don’t know her name. Maybe if I’d remembered those years ago, I’d have been able to maintain that small bridge to her kinder side.




the untallied hours