Archive for the 'Music' Category



18
May
08

The Gay and the Godly

A man on the train this morning was witnessing for Christ hoarsely and vociferously. It was one of those moments when you curse the express trains out of Queens, because you know you’re stuck with it for a good number of stops. He started out collecting change for a “food program” for the homeless, which was dubious enough. (It’s how to be a Christian, he explained.) But he soon made it worse by lurching headlong into a tirade about Gee-zus.

You can be saved, he was telling us. Just say a prayer. He was generous enough to share that prayer with us. I won’t remember the words now, but we’ve heard it before: some combination of biblical quotation and plea for salvation in exchange for eternal allegiance.

“Boom!” he said. “You’re saved. Now how long did that take? Seven seconds. That’s all it took to save a crackhead like me. That’s right, I said I was a crack head.”

Somehow it didn’t surprise me that he had been a crackhead. What did surprise me was that seven seconds could save anyone. (Even Madonna had four minutes!)

“A good-looking man like me.” (I can’t confirm how good-looking he was. I was avoiding eye contact.) “I did some terrible things in my life. I did some despicable things in my life. Sold my grandmama down the river for a rock of crack.” (He said “crack” with the same fervent rhetorical emphasis as “Gee-zus” in a way that made me absolutely believe that he was very well acquainted with both, crashing through each consonant and elongating each vowel as if the words were struggling to escape from their sentences.) “But if I can be committed to crack, I can be committed to Christ. If I can be committed to crime, I can be committed to Christ.” And so on and so forth.

He was very interested in us committing ourselves to Jesus immediately. “Everyone believes when they’re dying,” he said, “because you got no choice left. You’re desperate. But you gotta do it now. You could die any time.”

“Yeah, but ain’t no one dying here right now,” one young woman said to her friend.

I have never been much for street preaching and missionaries. It’s sort of a pessimistic approach for a religion to take, if you ask me. No one will believe this unless we convince them by all means necessary. If Jesus is the way, the truth, and the light, these guys apparently have very little confidence that we’ll find him. Have they given up on teaching by example?

At the same time, I absolutely respect their convictions and the strength of their faith. I just sometimes wish they’d go get saved somewhere else. But you ride it out until you leave the train or he does. In this case, he backed out the door at Queens Plaza, still preaching his good word, and walked to the local track to transfer. We heard every word until the doors closed and reduced him to a muffled echo.

One night a while back, I saw one of these religious experiences turned around in a way I’d never seen before.

It was the end of the night for me and my boyfriend, and we were on our way home. We were comfortably lit and a little sleepy on the subway seats, not particularly in the mood for anything remarkable, looking forward to bed.

Three women stepped into the train and assumed spots standing directly in front of us. They looked very well put together, if not a little gaudy, like they had just come from a wedding, all long, gleaming fingernails, iridescent lips, bright brown and beige tones across their cheeks, gold and silver synthetic fabrics.

One of them had her eyes closed, and she was bobbing her head like she could hear music that the rest of us could not. When it became too much to contain in her head, she began to sing. It was “Amazing Grace,” and yet… it was not.

The other ladies perked up and sang along:

Amazing grace, how sweet the sound
That saved a wretch like me.
I once was lost, but now am found,
Was blind, but now I see.

It’s a beautiful song. Or, rather, it can be a beautiful song. But after the first verse, she ad-libbed the rest, singing simply “I love the Lord, I love the lord…” over and over against the same melody. It seemed spontaneous — and unplanned, judging by the uninventive lyrics. Occasionally one of the other women would join or take over the “song,” none of them contributing much but the odd vocal flourish or worshipful gesture of the arm. It must have been past midnight, so I guessed they had just come from some sort of day-long worship service — Methodist or Southern Baptist, by the look of it, if my sense of stereotype is anything to go by — and they were still a little touched by the holy spirit.

Unfortunately, very few of the other passengers seemed to be feeling it. I was annoyed by their righteous and presentational self-indulgence. What’s worse, it was all very monotonous.

Many people just looked away. Some glared up at the women. A gay couple across the aisle from us were rolling their eyes. I closed my eyes and sighed and hoped it would end, or that at least she would break out of the trance and sing something different. But rather than merely being annoyed, or telling them to shut up as we all wished we could, Jeff looked up and tapped one woman’s arm. “Hey, excuse me. Excuse me. Do you know ‘On Eagles’ Wings’?” he asked.

“On Eagles’ Wings” is one of those post-Vatican II hymns from the ’70s. It’s taken from Psalm 91. Everyone raised on Catholic Mass knows it.

No, they said, they didn’t.

Jeff stood up. “Can I sing it for you?”

I wasn’t sure if I was amused, pleased or embarrassed, but I looked at the floor for a moment. Not only was he responding to a pack of crazies, but he was actually participating. I was preparing to be mortified, but he began singing the refrain:

And He will raise you up on eagle’s wings,
Bear you on the breath of dawn,
Make you to shine like the sun,
And hold you in the palm of His hand.

And just like that, they were totally disarmed.

Ooh! they said. They did not know it, but they certainly liked it. How does it go?

So Jeff sang it again. It was like a walk-off for Jesus. The ladies enthusiastically tried to sing along with him as he stood there with his hands outstretched like a youth minister. All that was missing was a guitar and a tambourine. The gays across the aisle were laughing. Almost everyone in the car had a smile. And we were — what bliss! — approaching our stop.

“That boy has the Lord in him!” one of them called out as we stood to leave.

“Yes he does,” said another.

I had never thought of that before, but I supposed it was true. Jeff had succeeded in undermining their annoyance in their own language and in a way that was not disrespectful. It was brilliant and accidental, an unlikely connection between people very unlikely to cross paths outside of the Great Equalizer, the New York City subway system, and I have rarely been so amazed by him as I was then.

03
Apr
08

Kids Are Dumb and Therefore Funny

Babies are dumb. Little kids aren’t much better. And what are adults at the end of the day but tall kids with bumps and more hair. But as we grow and learn and try to make sense of things, we can come up with some bloody funny things.

Intelligent Design, for example.

Or The Bush Doctrine.

I was reminded of this when someone told me a story about his introduction, at the age of about 10 or 11, to a woman named Naomi.

“Hi, I’m Naomi,” she said.

“Naom-you?” he responded. He thought that when she said her name to someone it was Nao-me, and when someone else said her name to her it was Naom-you.

I myself am guilty of such leaps in logic. In kindergarten, I loved to bring in record albums (those were the days) for Show-and-Tell. It made me popular for a day if I chose the right record. There was the Grease soundtrack on one hand, and a reading of “The Three Little Pigs” on the other. Guess which one won me respect and admiration among my peers. Lord knows I can’t remember.

I forget which one it was — probably Grease — but a substitute teacher once forced me to hand over my record. My favorite song at the time was “Greased Lightning,” which contained a sexual reference or two in its lyrics that my young ears were too green to comprehend. I imagine she was trying to save me from myself, or to have a word with my mom or some such thing.

She was on a relatively long assignment, filling in for our regular teacher. Those were the days of Miss Nelson is Missing!. We did not like teachers, but a sub was the Devil incarnate. So naturally, I thought she was using her bully powers of adulthood (Oh, I couldn’t wait to grow up!) to steal it from me forever.

As I recall, I got it back by pouting at the end of class. Whether she had intended to give it back then or not I can’t say. I hated her and feared her. But I had no idea what would soon happen to the poor woman.

One day she wasn’t in class and we had a different sub. I asked what happened to Miss What’s-her-name, and someone (a student? my memory!) told me breezily that she had been fired.

I’d never heard of such a thing, and naturally I was horrified. They burned her to death? Just for taking my Grease album? Word got around, I guess. Maybe she had been mean to other kids at other schools. I felt vaguely responsible. I didn’t hate her that much. But also I felt vindicated, like a reign of terror had ended.

03
Apr
08

Keepon Dancing

This is an old one I forgot to post.

I don’t want to be one of those guys who mistakes commentary on YouTube videos for original thought, but this one is too cute to pass up.

This thing dances better than most people.

Here’s that little robot, Keepon, again in Spoon’s video for “Don’t Evah,” one of my favorite songs at present. It’s crazy how a pair of google eyes can trick you into having an emotional response to a motor and a pair of sponge balls.

Someone at work turned me on to Spoon. I’m scared to buy a whole album, so I just picked up a few tracks from iTunes. (Who buys albums anymore, anyway?)

I made that mistake once before when I fell in love with Combustible Edison after seeing Four Rooms, which featured their music in the opening credits. I only saw the movie because Madonna was in it. I bought one of their albums and sort of hated it.

11
Mar
08

What Has She Done To Deserve It?

Whose genius idea was it to get Iggy Pop to play Madonna … in front of Madonna? Is someone on the Rock and Roll Hall of Fame board trying to punish her? It was possibly the weirdest music pairing I have ever seen. I imagine she thought much the same thing, sitting there at that table near the stage, gamely, awkwardly perhaps, smiling up at him.

I turned on the TV in the middle of his rendition of “Burning Up.” It was pretty punk, pretty kitchy, trashy and flat enough to be funny, and she looked like a nice, conservative, middle-aged lady having a good time. A blonde and ivory vision carved out of butter. Then he broke into “Ray of Light,” introducing it as a “beautiful song,” and wasted no time in performing it not at all beautifully. Her pal JT bobbed his head with the beat, but Madonna looked like a mannequin.

To his credit, Iggy seemed delighted to be playing with these songs, like a little boy wanting to please his mommy. He is plainly very fond of her. Madonna must have been aware of this as she greeted him graciously in the kitchen of the Waldorf-Astoria. “Very well done,” she said. “I liked the horns, actually.” What else could she say 𔃉 Go boil your head? She signed a guitar. Posed with a gaunt, glistening Iggy. And exited stage left.

I could stab myself in the eyes for forgetting to set the DVR to record the show. I wanted to hear her acceptance speech. But I’m sure VH1 will rerun it ad nauseam.

To be inducted into the Rock ‘N’ Roll Hall of Fame after releasing a dance album is a peculiar trick of American pop music. AfterEllen addressed the question today: Is Madonna, in fact, a rock’n’roller? The writer concluded, much as I do, that it doesn’t matter. It is her influence on everyone else and her status as an auteur that qualifies her. Can you imagine that? The woman who rolled around in a tarted-up wedding dress. Of course she should be inducted.

John Mellencamp was another highlight. His bit was after hers. I saw Mellencamp a few years ago in Minneapolis — a city in which Madonna never tours. Mellencamp strolled out on stage smoking a cigarette. He’s never been what I would call a good-looking man, but in those tight black jeans, those dulled and scuffed boots, that dangling, smoldering cigarette, that swagger of the hip, that slump of the shoulder, he is definitely what I would call sexy. He gave an authentic, simple, old-fashioned, unadorned rock ‘n’ roll performance that remains one of the single best shows I have ever seen.

At the ceremony, Billy Joel’s bizarre, crotchety I-don’t-give-a-fuck New Yorker introduction rambled and barely paid him any sort of tribute. It included a fair number of uninformed and disparaging remarks about farmers and Midwesterners — antithetical to the work Mellencamp was being honored for. He could have used the same speech to introduce Randy Newman; it was more about him, anyway. At least he got in some well deserved digs against VH1 and the music industry.

Mellencamp of course walked out on stage with a cigarette in his lips, stamping it out just before he took the mike. Thankfully he played his own set.

06
Feb
08

Song Poison: My Heart Will Go On

pan fluteSometimes it’s just torture.

My neighborhood grocery store is under new management, and they now play adult contemporary pop songs on the speaker system. I was serenaded by Vegas showgirl Celine Dion the other night, whose “My Heart Will Go On” seems to be making a comeback.

I heard it again several times in both its instrumental and lyrical form a couple of nights later while watching Titanic, of course the song’s reason for existence. (There are other reasons to dislike the film. This is just one.)

We watched Brokeback Mountain immediately following. I must have been hell-bent on feeling miserable that night. Though it was fun to rewind and replay, over and over, the part where frozen, lifeless Leo slips from the piece of wood into the North Atlantic.

The final straw came the very next morning, when I heard — but maddeningly did not see — a subway busker playing the song on some kind of pan flute. This unhappy coincidence guaranteed it sticking in my head on infinite loop for days.

I once saw Victoria Jackson do a stand-up routine in glorious Lansing, Michigan in which she re-enacted the penultimate scene from Titanic the movie.

Rose! Rose, if you shift your fat ass, I can fit on this piece of wood, too!

She also sang a fantastic parody of a Jewel single“These ghoulish fangs are tearing meat apart…”. Luckily, Jewel is rarely as adhesive as Ms. Dion.

19
Dec
07

Song Poison: Pee-Wee’s Playhouse

14
Dec
07

I Heart Ms. Pac-Man

01
Dec
07

Wonder Woman, Diva

   

If I had ever entertained any hopes of passing for straight, I dropped them like shorts at a circle jerk when I gasped at my first sight of a poster advertising an intimate evening with Lynda Carter. She was on tour and was to make her New York cabaret debut at Feinstein’s at the Regency, performing jazz standards with a six-piece band.

Thanks to Lifetime Intimate Portraits: Lynda Carter, one of my dearest possessions on VHS, I know that she first tried to make it big as a singer way before Wonder Woman and before becoming a beauty queen.

I had no idea she was still at it. Something like this could be amazing — or completely awful — but either way, what self-respecting homosexual could pass it up?

Don’t believe me that she can sing? Check her out on The Muppet Show:

(For more YouTube fun, check out those Maybelline Moisture Whip Lipstick commercials. Who could forget those? Honestly, love her as I do, I don’t know how people can do these things … or say the word “moist” so much without cracking a smile.)

The erstwhile Wonder Woman still looks heroic at 56, thank Hera. And she’s still got the pipes. Her October show was lovingly previewed and
favorably reviewed in the New York Times.

Intrigued as I was, I had to put all hopes of seeing Ms. Carter’s show out of my mind, because that same night, November 3, Jeff and I had a hot date with Annie Lennox, who was staging one of her achingly infrequent Stateside performances.

I don’t know who went to see Lynda Carter, because all the gays in three states seemed to be at the United Palace up on 175th Street that night. Throughout the long A train ride up to Washington Heights, we revealed ourselves as the passengers thinned out. When the doors opened at 175th, I had no worries about finding the place with such a large, lemming-like exodus of gay couples to follow. (I found it sadly telling that, after the show, the subway stop was so crowded again that we were at a virtual stand-still until someone opened the emergency gate to allow the flood through — in such a rush we were to high-tail it out of the neighborhood, apparently.)

Annie Lennox as Wonder Woman    
The invisible jet must be in the shop.
[youtube.com]

Interestingly, Ms. Lennox appears in her music video, Dark Road, dressed as a sort of homemade Wonder Woman sitting as a bus stop. For her Nov. 3 appearance, a tastefully be-glittered black sleeveless camisole and a rather conservative pair of flared black slacks was all the costume she needed to showcase <a href="http://www.newsday.com/entertainment/music/ny-etlennox1105,0,5100553.story
” target=”_blank”>her super powers. Her richly layered voice was color enough.

Given the chance to speak to her in person, I would thank her for not subjugating her show to a lecture. I have no problem with famous people using their celebrity and influence to do good in the world. What I take issue with is the often sanctimonious way they go about doing it. Her pet project, Sing, whose goal is generally to bring attention to the African HIV/AIDS pandemic and specifically to help implement the Mother to Child Transmission Prevention Program in maternity hospitals throughout South Africa, should be supported. And after the recent release of an album called Songs of Mass Destruction, clearly infused with feelings of despair and frustration in the wake of a globally unpopular war, it is reassuring that her intention with this tour was to project hope and joy. She had the good sense to remember that both she and her audience were at a rock concert, not a lecture hall, and everyone was there to have a good time.

Lennox rightly observed during her mercifully brief PSA that it is a privilege to be able to use her art to draw a spotlight to a worthy cause. During an extended round of applause, she stopped us. “No, please don’t,” she said. “It’s nothing. I’m going to shut up and sing now.”

10
Sep
07

Fears for Spears

By total coincidence I watched Factory Girl last night directly before Britney Spears’ opening act at the MTV Video Music Awards. I think the pairing offers some notable parallels. Edie Sedgwick was broken down and shattered by publicity and celebrity. Then she died unceremoniously of a drug overdose. Britney has been similarly chewed up by the machine, and she has had her share of public breakdowns. Unlike Edie Sedgwick, however, Britney Spears is fighting back. Unlike Edie Sedgwick, Britney Spears lives. And she probably will for a long time.

I was totally on Britney’s side when she went bat shit on those photographers at the gas station. Not insignificantly, her strategic use of an umbrella brought her closer in my mind to a childhood idol of mine. But more to the point, I think I’d lose it too, if I were constantly denied the opportunity to take control of my life by the people who want to record every frame of it.

The girl is working some stuff out. So she turned in a lackluster performance last night. Why should I sing when I can lip sync? Why should I dance when all these other dancers can do all the work? I can just phone in this thing.

And y’all are gonna watch anyway.

And we did.

OK, so last night’s performance in Las Vegas wasn’t exactly a show stopper. There are a lot of second-rate showgirls in that town who could have given her a run for her money. The sea of blank faces among the who’s who in attendance was more entertaining than Britney. But she was out there. And she wore that sequined bikini. You know that had to have been her choice — no one would have recommended it to her. Maybe she’s taking some control after all.

I will say this: She looked healthy. Some said fat, but I disagree. I think she looks better as a woman than as an anorexic stick figure.

Whatever she does next will be better. It could hardly be worse. But no one likes to be fooled. I hope we’re still there to watch her next time.

20
Jul
07

Diamonds are Indeed Forever

Rivaled only, perhaps, by Alanis Morissette’s cover of Black Eyed Peas’ “My Humps” is this startling yet gorgeous rendition of Pink’s “Get This Party Started” by the legendary Shirley Bassey. A friend of mine directed me to this video confection at Joe. My. God.
Girlfriend sure looks good enough to eat! I wasn’t sure it was even her at first. Immediately, her take on this song seems utterly wrong to me, but seconds later, she wins me over.

I was a great fan of her Propellerheads collaboration “History Repeating” until Graham Norton killed it by making it his theme song. It’s great to see that this woman is still having fun. Catch the laugh on her face when she sings “I’ll be burning rubber/You’ll be kissing my ass”!




the untallied hours