Archive Page 15

10
Mar
09

If “Space Invaders” Was Real

Who knows what this is supposed to mean. But it sure is fun!

10
Mar
09

Absolutely Fabricated

ab fab first look
Sweetie, darling, does mummy’s script need surgery?

A friend of mine who is always in the know sent me this picture of the new American Patsy and Eddie. While I’m grateful for the first look, I’m also a little scared.

OK, so you can’t judge a book by its cover, and all that, but please, please, please tell me it’s not going to look like a couple of women dressed up as Patsy and Eddie at a Halloween party!

I don’t even know why this is being taken on now. It was so right the first time around. My greatest fear is that this new series will either be so similar that it looks like a poor reproduction, or so different it will be pointless.

10
Mar
09

Shannel, No. 6

Shannel    
I’m beautiful, dammit!
[www.poptower.com]

Oh, Shannel … Say it ain’t so. A sixth contestant has been cut from RuPaul’s Drag Race. And she was wronged!

I’m a little mad at her for giving up the fight. Her “I don’t want to be here anymore!” was a major disappointment for me. Week after week, she has taken harsh, often meaningless criticism with dignity and respect. Even tonight, Santino said she’s “saying everything right,” but she’s just not connecting with him. What does that even mean? I think it says more about the judge than the contestant.

It’s hard to say how much her announcement affected the judges’ decision. I think it was honest exasperation, not a strategy. And who could blame her? You can see it in this week’s “under the hood” and, sadly, her exit interview. What more can she do?

When she got pitted against Rebecca in the lip synch, she put up a fight again. I think she saw a light at the end of the tunnel. I did. And maybe I’m no judge of these things, but I think her performance was better than Rebecca’s.

Maybe it all went wrong when she lifted up that dress and shook her little butt. That and the Hannibal Lecter-esque lip-smacking earlier on, which was met with the sound of crickets chirping, may have been just a step too far. Oh, I wish she’d just hold back a bit and let her talent carry her forward. Instead, she always resorts to a trick: snakes, juggling, those assless chaps. I picture her as a trained circus animal, with Merle Ginsberg tossing her lumps of meat after each jump through the fire hoop.

Everyone wants to ditch Rebecca this week — even 47% of the audience! I wanted her to get far, but her time has come. She was so overrated during the vogue-off. Shannel characteristically pulled a cartwheel out of her ass, but her posing was better. I thought the whole drag ball/vogue theme, a nice nod to the drag history, would have given an advantage to the more seasoned of the girls. But that Rebecca has nine lives, and I think RuPaul has a soft spot for her.

The best part of the vogue-off was RuPaul’s commentary: “Paint your face, honey!”

“Face! Face! Face!”

“Why you all gagging so? She bring it to you every ball!”

This was a tough episode: swimsuit, evening gown, and business suit. Forget about Miss America, honey. And these ladies aren’t even ladies! Plus, these colors were truly awful — more Froot Loops than mango mojito.

The inclusion of Charo was a stroke of genius on so many levels, not the least of which was a welcome lightening of the mood. I don’t know where she went, but I’m glad she’s back! (Looking strangely the same as the last time I saw her — on Pee-Wee’s Playhouse!) Who can resist her? She even got the pit crew to dance. I wish to god she had stayed on as a judge, but the flamenco diva magic ended far too soon.

The runway question, “Why should you win?” was a telling moment. Bebe led with a dignified answer: “There is pride and dignity in dressing up.” Nina said she wants to inspire others. Shannel answered like a politician, saying a lot without ever really answering the question: “I love myself,” essentially.

But I hate, hate, hate Rebecca’s answer. When someone asks why you should win, you need to have a real reason, something personal and meaningful. I want to make my grandma proud. Or I need the money to buy a house for my mom. But the best Rebecca can come up with is “I want this.”

That’s not a reason; it just restates the question: I want this because I want this. OK, obviously she’s working hard. This is not easy. So, let that be her reason. It would have been better if she’d said simply, “because I deserve to.” At least that speaks to the competition, not just some childish sense of entitlement.

Line of the night: RuPaul’s repeated declarations of “Extravaganza eleganza!”

Charo, on the dance: “Be careful. Spooning leads to forking.”

Charo, on the posture: “Even if you don’t breathe, nevermind. If you drop dead, you drop dead with class.”

Charo, on the walk: “Uno, dos, uno, dos. I am the biggest bitch in the world.”

Nina: “How am I gonna place a mango in an evening gown?”

RuPaul, to Shannel: “Yes… something to wash down the fava beans.”

03
Mar
09

Dress You Up

This week the girls get to play with some real live dolls. These fierce fairy queens have to drag five tomboy bruisers out of the fight and into the light — and down the runway. How hard can it be? Women wear drag all the time: Dolly … Cher … Edina and Patsy.

After last week, Rebecca is clearly public enemy Number One. Shannel, for one, can’t wait to see her go. It sets up another nice rivalry. Shannel wimps out at first, when the lady fighters lead the queens in a boxing ring workout. But then she rallies and comes back swinging, ultimately putting up the best fight against Rebecca.

But Rebecca pulls out ahead. Her reward for winning the mini-challenge is decide which boy gets paired with which girl. But all of those women look like a challenge to me. How much can she really stack the deck?

Since episode two, when Rebecca said she’d eliminate Shannel, she has shown herself to be a fiercely smart competitor. Of course, the assumption is that Rebecca is sabotaging the others. But behind the curtain, and “under the hood,” she says she tried to split them up fairly.

It’s touching to see the boys coaching the women. You get the impression that they’re giving the lady fighters real life advice, not just runway pep talk. And to their credit, the fighters are game for this challenge. They do their best, but it’s not like they’d normally be seeking this kind of “help.” It’s as much work for them as the workout was for the queens. These women are not gonna go back home and put these new skills to use.

This episode plays with the meaning of drag. In the runway show, the real women look no different from men in drag. Is this show about men teaching women how to act like women? Or is it about men teaching women how to act like men acting like women? How many layers are there?

What’s real? It’s almost as if the women have to exaggerate more than the queens do to “act like women.”

What’s natural? RuPaul says Mia has a “natural beauty” — but only after Mia has been all dolled up by Nina.

The results are impressive, and this is a tough one to judge. Clearly it’s getting hard on RuPaul. He has said many times in the press that he was surprised by how close he got to the competitors. He excuses himself before he can give his verdict this week. I just want to know where he goes. To meditate? Is there a chapel in some corner of the studio where he prays? Does he call in a life line? Does he consult the Psychic Friends Network?

The lip-synch showdown was a disappointment with Bebe practically tearing herself to pieces. Is everyone going to flip their wigs from now on? Is this what it takes to win?

What made Shannel’s performance remarkable was how she ran with an unfortunate wardrobe malfunction and turned it around. I don’t think ripping off your hair shows passion; I think it’s just kind of ugly. But someone has to go. Au revoir, Ongina.

01
Mar
09

If You Were In My Movie

If there was ever a movie just screaming to be remade, it is Hush … Hush, Sweet Charlotte.

Just get a load of the synopsis on Netflix:

After her betrothed died from multiple ax wounds 40 years ago, everyone in town thought Charlotte Hollis (Bette Davis) was guilty. But with no evidence to convict her, she walked. Since that time, holed up in a crumbling Southern mansion with her devoted servant (Agnes Moorehead), Charlotte’s been a recluse. But when an ambitious cousin (Olivia de Havilland) comes along to get her hands on the plantation, Charlotte has to defend herself.

It is irresistible.

And check out the trailer:

Magnificent. Thunder and lightning! A shameful affair with a married man! Bloody murder! A madwoman hiding away in a decaying mansion! Shattered glass!

Agnes Moorehead is marvelous as the loyal maid with suspicious motives. (I had only ever seen her as Endora on Bewitched, a role I see now she was clearly overqualified to play, but apparently her masterful if not subtle turn in Charlotte is nothing unusual for her.)

Olivia DeHavilland is the perfect villain, a charming and respected city slicker career woman, and eternally jealous.

And of course the inimitable Bette Davis, well into the creepy autumn of her career, is still on top of her game, capable of both the most grotesqueoverreaction and the highest subtlety of movement. Through most of the film, she (actress and character) is a sad case, in an almost humiliating role, getting slapped around and tricked into madness by the people she trusts most. But she utterly carries the climax of the film and has such a satisfying triumph, that all the cliches of mid-’60s psychological melodrama are enthusiastially forgiven.

A remake of this movie with a slightly modernized point of view could be something really dark and gorgeous. So I got to thinking: Hey — fun party game! Load up on mint juleps, pop in Bette Davis’ cultish masterpiece, and go around the room asking everyone who would play each of the characters if the movie were to be remade today.

My picks:
Charlotte Hollis, the protaginist, a recluse, mad with grief after the brutal murder of her married lover 40 years prior. Did she kill him? Did her overprotective father?
Original: Bette Davis
Remake: Susan Sarandon or Sigourney Weaver

Miriam Deering, the jealous cousin with a long memory and a deep grudge, the outsider, the villain.
Original: Olivia de Havilland
Remake: Annette Bening or Marcia Gay Harden

Drew Bayliss, Charlotte’s cousin and trusted doctor — a little too eager to pump her full of sedatives.
Orignal: Joseph Cotten
Remake: Billy Bob Thornton

Velma Cruther, the faithful servant, looking out for Miss Charlotte’s best interests ’til the tragic end.
Original: Agnes Moorehead
Remake: Shirley Maclaine

Harry, a charming, snooping British writer investigating the true story behind Charlotte’s legend.
Original: Cecil Kellaway
Remake: Ian McKellen or Michael Caine

Big Sam, Charlotte’s papa, who sets off this whole murder business in the opening scene.
Original: Victor Buono (Anyone remember him as King Tut in the 1960s Batman series?)
Remake: Tommy Lee Jones

Jewel Mayhew, the wronged widow with the shocking secret around which the entire story turns.
Original: Mary Astor
Remake: Meryl Streep

Luke Standish, the sympathetic sheriff who has been humoring the presumed murderess for far too long.
Original: Wesley Addy
Remake: Peter Coyote (who else?) or maybe, if you want more quirk, Johnny Depp

John Mayhew, Charlotte’s unlucky lover, who gets hacked to pieces early on. (We just need someone forgettable and disposable.)
Original: Bruce Dern
Remake: Keanu Reeves

24
Feb
09

Green Ham … and Eggs?

Glow-in-the-dark pigs    
Glow-in-the-dark pigs. What else is there to say?
[news.bbc.co.uk]

I would not, could not, in a box.
I could not, would not, with a fox.
I will not eat them with a mouse.
I will not eat them in a house.
I will not eat them here or there.
I will not eat them anywhere.
I do not eat green eggs and ham.
I do not like them, Sam-I-am.

24
Feb
09

Ryan Ong Drops a Bomb

Ongina    
Ongina: Good things come in small packages.
[tv.yahoo.com]

What a shocker this week! Not the win, but the reaction. And the drama is kicking up a notch.

The “dolls” are competing to a be a spokesperson for M.A.C Cosmetics. It’s a pretty cool deal. She’ll be the public face of the M.A.C AIDS Fund. Each queen has to demonstrate in a screen test what makes her a Viva Glam girl.

We start with a round of constructive criticism. The self-analysis is a bit tedious, so thank goodness it doesn’t last long. The take-away is that Rebecca is feeling isolated, partly out of shyness, partly because she thinks the other girls are hogging the spotlight. Everyone wants to see more Rebecca. Quien es esta niña?

The focus on Rebecca and Jade is interesting, because it begins to bring out the conflict. I’ve always thought of them together as the dark horses, because they are always the safest: not bad enough to go home, not good enough to win. They are probably competing with each other more than with the other queens. And now that their group of rivals is shrinking, they are more and more exposed. Some shit is gonna hit.

The girls pair off to do each other’s makeup. You know Shannel thinks it’s in the bag, just because she does good makeup all the time. The importance here, however, is not the skills but the results. Jade wins the mini-challenge, but all it gets her is five more minutes for her screen test.

For the screen test, Nina pulls out another pants suit, but she works a sort of exotic, regal glamour. This looks a little to me like her audition video. When she gets the words down, she’s a real charmer.

Meanwhile, whatever Rebecca has done to her face is not working. Has she been out in the sun too long with her oversize D&G sunglasses? Even worse is her breakdown.

Apparently, like many of us, she has a friend with HIV. But in her case, it’s so emotionally overwhelming that she can’t even finish her screen test. I have a hard time believing it’s real. Look at how sensitive I am! Look how in-touch I am! Whatever. She’s taking someone else’s tragedy and making it about herself. So not “viva.” So not “glam.” So not winning.

Jade’s screen test is a worthy effort, but a little too “Welcome to my Home.” It’s well-prepared, but the words don’t match the whip.

Bebe’s grande dame Africana is gorgeous. I thought she might win this week. But even this could not match the effervescent Ongina, who I thought looked like a boy in mom’s makeup. But her tone and her optimism wins me over. She stages the shoot red balloons, an empty picture frame, a silver tea tray. Where’s the party? And, OMG, I want learn how to write backwards, too!

Shannel, once again, is all talk. Even the models are rolling their eyes. “You might want to try something that actually fits into 30 seconds,” RuPaul says. It’s like pouring your soul out in a phone conversation after the person on the other end has hung up. I’m so glad you understand me. No one else listens like you do. Hello? … Hello?

In the runway show, many are clearly safe. Bebe is glorious as Cameroonian Ascot Gavotte. Ongina looks to me like she did in the first episode. Nina, winging it literally this time, is an exotic bird in a punk-rock pants suit and feathered gauntlets. But she is not very womanly. Merl complains about the arms, but it’s the chest that kills it for me. And I wonder which intern’s head rolled over the slippage on the stage. (Maybe it was from Rebecca’s hysterics.)

I still think Jade looks manly, too. He’s going for dominatrix, but all I saw was permed lion-tamer. By the way, what is it with RuPaul’s obsession with his junk? “There’s still a lot of snakes on this motha-fuckin’ plane!” she shouts.

The runway’s more dramatic changes are born of desperation. Rebecca takes a risk as a glam-rock KISS roadie. And we see that her screen test didn’t go nearly as badly as we were led to believe, though it is rather artless.

Shannel moves on from last week’s huge jugs to juggling. The circus has come to town! She teeters between supreme overconfidence and abject failure every week. I wish she’d stop talking so damn much and just see what’s happening around her. Again, the screen test was not awful, but she is lucky to escape the bottom two.

Jade and Rebecca face off for the lip sync elimination. Jade is a little too precise, not enough Annie Lennox, but Rebecca is all rock ‘n’ roll. And she gets a little ruthless, pushing Jade down to her knees &#8212 a little too harshly. Jade walks out of the show full of piss and steam, and Rebecca stays on to feel the survivor’s guilt another day.

The most dramatic moment is the announcement of Ongina as the winner. He breaks down and confesses to the world (and his parents) that he is HIV positive. It immediately changes the tone. Ru’s shoulders drop, and she melts into an icon of compassion. Merl is crying. Santino is shaking his head. But Ru brings it back with a simple acknowledgement: Ongina is an inspiration, and these kids are all sisters.

Ongina’s screen test and personal philosophy seem all the more remarkable and meaningful in this light. And it makes Rebecca’s freak-out moment all the more bizarre and insincere. Rebecca says, “It’s not a challenge. It’s personal.” That may be true. But while others may witness the disease, Ongina is living it full of happiness and energy and strength.

This is why I love this show, these surprises. I am continually amazed that a competition ostensibly about surface and image is so revealing of inner beauty. When these girls bounce back, they are not just picking themselves off the floor. They are elevating themselves six inches higher — and further.

22
Feb
09

Junk

Direct mail marketing, or as I prefer to know it, junk mail, can get it wrong, so wrong, really wrong.

For example, what unfortunate postal mishap has resulted in the ceaseless delivery of the Victoria’s Secret catalog to my name at my address? Is it a joke? There is not much in this world less interesting to me than women’s underwear. Jeff gets his Jeep parts catalog, from which he has placed an order exactly once, but even that is more welcome toilet reading.

Why can’t it be the Ikea catalog? I should perhaps be cautiously grateful it’s not International Male. It’s like making eye contact with a panhandler. Once they see you look they’re all over you for some coin.

Then there’s my recent receipt of a solicitation from a local funeral home. The double insult: It was addressed to Jeff — and his wife.

19
Feb
09

Prodigal Datsun

Every day city dwellers see countless cars, and of those, remembers or even notices very few without blending them into the road salt- and bird shit-splattered canvas of urban living.

The other day, however, I went walkabout on the city’s brotherly streets and happened upon a vehicle that stood out to me as an unexpected childhood reminder: a Datsun 280ZX. You don’t often see this little gem of 1970s Japanese engineering. At least, I don’t. I wondered for a moment, as I noted the driver’s judicious use of The Club, where he or she gets parts.

Datsun 280ZX
A reminder of mom’s more carefree days.
[www.wikipedia.com]
Datsun 280ZX Matchbox car    
Vroom vroom!
[www.flickr.com]

It was my favorite Matchbox car, followed closely by that Italian model that served as the car mode for Wheeljack, of “Transformers” fame.

My parents had just such a Datsun when I was born. (It was the same smoky blue as the one I saw the other day.) It might have been my mom’s. I like to imagine her in a sports car, and I suppose it was a fine vehicle for a school teacher in her mid-20s. Then I came along. And so did the station wagons. And the only place for a fun car in my our lives was in my pocket.

19
Feb
09

We Don’t Need Another Hero

Those black woolen thigh-length coats with the big buttons are great in the winter. What are they called? Not a pea coat. Anyway, the problem with them is the way they shed buttons like autumn leaves. At any given time at least one button is hanging on by a whisper, and another one is missing altogether.

Until recently, following a drunken mishap my friend and I no longer remember very clearly, mine was missing one at the top, one at the bottom, and a smaller one at the cuff.

I stopped in at a cleaners/tailor shop to ask if I could buy some replacements. While he sorted through some Tupperware containers of random spare buttons, I noticed tacked to the wall a photo that I recognized in an uncomfortable way. It was identical to the profile photo of a stranger who once friend requested me on Facebook.

The reason I remember the picture is that the guy in it is dressed in a superhero costume of his own design: shiny blue and silver and black fabric, a black silver-edged mask. I thought little of it, assuming it was a Halloween picture, but a brief investigation into his profile revealed many, many more images of this guy in variously slick and slender and shiny costumes. Capes, masks, gloves — the whole bit.

It wasn’t the tailor, unless he had gained weight recently. He was probably just someone he knew. With tailoring skills. What if it was his younger brother. Or … maybe his boyfriend! Maybe the tailor made the costume, and he was showing off the work, and not the person. Whatever it was, I resisted the temptation to ask who the masked man was. I just didn’t want to get into it.

In his Facebook profile, he described his hobby of wearing superhero costumes. Just for fun. All year round. Like, to wear at parties and stuff.

There are pictures of me in a Green Lantern t-shirt on my profile, and I list comic books as an interest. I imagine that’s why he found me, but it ends there for me.

I did not accept his friend request.




the untallied hours