Archive Page 41

10
May
06

Our Hands, Ourselves

I like to watch people’s hands while standing in the subway. During the morning and evening commutes, when the trains are crowded and people are standing and grasping at anything solid to keep their balance, hands are so exposed. Sometimes all I can see of a person is his or her hand.

Some bite their fingernails; others take exceptional care of their tips. They are brown and beige and pink and sallow and white. Some have spots. Some have finely formed ropes of veins down the arm, around the wrists and across the back of the hand. Some have hairy knuckles. Some with a firm grip show sinews and tendons straining against the skin. Some are fat and shapeless. Some are so thin, it’s a wonder they function at all.

There is a paradox about hands: While they are indeed exposed and open and very public, they are also extremely private and personal and intimate. Almost everything we do both privately and publicly involves hands. Why are we so skittish about genitalia and breasts when it is our hands that prepare our food, burp our babies, wipe our asses, wash our bodies, insert and remove our contact lenses, wear our wedding rings?

If the brain is the largest sex organ, surely the hand is the second largest. Indeed, sometimes sex involves the hands more than any other body part.

You put your hands where? And then you touched me? the doorknob? your french fries?

Of course, we wash them. And for the ultimate in OCD behavior, we can also waterlessly sanitize them. So, I’m not talking about dirt or germs here, but rather the idea of what we do with our hands.

We write with our hands, conducting our fears, memories and desires — and things much more banal — from the brain to the page. Some talk with their hands, expressing themselves with complete languages but without a single word. We construct with our hands: buildings, art, Web sites. We destroy with our hands.

We play with our hands — piano, rugby. A friend of mine, who does both, and who works on a laptop computer all day long, recently broke the smallest phalange of his ring finger. All the things he does that matter have become exercises in endurance, so central are his hands to his life.

We are defined by our hands. When that thumb showed up millions of years ago, everything changed. Forget fire, the wheel, moveable type, cheese in a can. The revolutionary hand started this whole crazy mess.

It’s kind of obscene, the way we so shamelessly expose people to our hands, given all the trouble they get up to. We should wear gloves.

02
May
06

The Saddest Thing in the World

This could be a sequel to Left on the Tracks.

On Sunday afternoon, I was reminded of the emotional turmoil of childhood. It’s amazing to me how kids can swing so quickly and completely from mood to mood. It’s positively dizzying, and I think it’s remarkable that we survive childhood at all, physically or emotionally. At a small age and size, everything has such enormity, and some big feelings can come out of those little brains.

A boy, maybe three years old, was standing with his mother and younger sister at the Roosevelt Avenue subway station in Jackson Heights facing the Manhattan-bound express track. They stood safely back from the edge of the platform. As I walked along the platform near the yellow edge, the boy accidentally dropped something just as a man was walking in front of him. The man’s foot connected with the skidding plastic object with sickening perfection, and he inadvertently kicked it over the edge onto the tracks.

It all happened so quickly, I couldn’t even tell what the kid had dropped.

The boy’s face changed in a flash from disinterested placidity to complete non-comprehension, as if a passing magnet had wiped him clean.

The man stopped dead in his tracks and cringed, his face contorted in acute embarrassment. He wasn’t asking for this, but there it was. “Oh, no,” he said. “Oh, no. I’m sorry. I’m sorry. I’m sorry.” Almost pleading.

There seemed to be complete silence, as there always is in the immediate wake of a child’s injury. Everyone stands there, holding their breath, including the kid … Uh-oh. The kid’s gonna start bawling. Here it comes …

He looked up at his mother, begging with his eyes for her to undo everything that has just happened.

“I’d just hop down there and get it,” the mans started, “but…”

“Oh, no, no,” said the mother. “It’s OK. It’s OK.”

Even I wondered if something could be done, like I was desperate to please this child I’d never met, to protect him from disappointment. But clearly it was a crazy idea to jump down onto the tracks.

She looked down at her son, pointing a finger, and began to compassionately admonish him. She seemed to tell him is was his fault, or that it could have been avoided if only … something. You should be careful next time … I warned you about this … something. Maybe it was all for the benefit of the stranger, who looked like he wanted to melt away between the floor tiles. Maybe she was embarrassed, too.

The boy collapsed into tears.

She picked him up to hold him close and console him. I imagined the hapless stranger as Enemy No. 1 in the boy’s mind. Get out of there, I thought. Get away from that kid.

Walking by the scene of the crime, I tried to steal a glance at the object. It looked like an animal of some kind. A lion, maybe, or half-lion, half-man. Some kind of action figure, probably from some cartoon show I’ve never heard of and will never see in my life.

I noticed his little sister, sitting in a stroller facing the other way, had a similar toy — safe in her grip. A giraffe, maybe. She looked unfazed by the entire episode.

26
Apr
06

Keep It Under Your Hat … or Not

I’ll never understand why people wearing headphones sing out loud.

Sure, there are the crazy — or extremely motivated — folks who burst into song in public places without the aid of electronics. They are making their own kind of music, singing their own special song. Even when nobody else sings along…

But these people, the ones who are ostensibly wearing headphones for a portable, personal and, most of all, private musical experience … what are they up to? Why the pretense of headphones? Just carry a boom box like those other crazy people. Just turn off the music and sing by yourself. (Maybe you’ll get some loose change out of it from exasperated commuters.)

There was a woman on the subway (where else?) who exemplified all that is wrong with this behavior.

1.) Her Discman was jacked up so loud, I could hear the beats from the other end of the car.

2.) She shattered the peaceful din of the gently rocking train with her sudden alarming outburst, doing her damnedest to immitate the R&B in her ears. Her voice came out of nowhere. I thought it was an argument at first, but then I noticed it was someone singing, or something very much like it. I was not the only one looking at her.

3.) She clearly did not know all the words. She only got about every few lines and skipped a few words or a whole line at a time. Strange, I thought, because, despite her butchering, I recognized the song and knew it to be a rather old one. And even these brief snatches of song were sung badly, out of tune, American Idol-style.

Some people are content to adamantly bob their heads around, or do a little dance or series of hand gestures, or close their eyes, silently mouth the words and perform some expressive theater of the face. These people are annoying, but one can ignore them. This woman, on the other hand, was apparently so moved by Mary J. Blige’s “No More Drama” that she simply couldn’t help but spread the Word to us as well. Was this a Pentacostal moment for her? Is she a prism of pop music, splitting concentrated beams of R&B into auditory rainbows before us?

These people… Are they temporarily losing it or is it a deeper problem?

Are they having a bad day? Maybe they’re pissed off and they just want some attention or to make some noise — “I’m gonna sing, dammit!” Less destructive than throwing dishes across the kitchen, I suppose, or overturning a table full of framed photographs, but only just — and not much less cacophonous.

Maybe American Idol is part of Miss No More Drama’s problem. Everyone thinks she can be a star. Even on the F train. Whether she knows the words or not. Maybe she thinks she is talented and she is treating us to her Gift.

Maybe she thought she was gently humming but couldn’t tell she was so loud because her music was turned up so loud.

I saw a headphones-wearing woman at my gym last week who, while I was lifting weights above my head not five feet away from her, treated everyone within earshot to a series of concentration-breaking intervals of “melody.” She, too, did not know all the words and sang only the few she knew. Badly. In fact, I think she was actually just speaking the words. It was hard to tell.

When I glared at her, she looked normal to me. You never know when these people will reveal themselves. They look just like you and me. It’s like when Wednesday Addams dressed up as herself for Halloween. “Why aren’t you wearing a costume?” someone asked.

“I am,” she replied. “I’m dressed as a serial killer. They look just like everyone else.”

16
Apr
06

Getting Culture

I’m breaking my rule. This is about me. Or, rather, a very specific part of me.

The human mouth is a teeming cesspool of shit.

Bacteria, fungi, protozoa, viruses: It’s a real party in there. A constantly moist 95° F. A rainforest of microorganisms, if you like. And what we eat, they eat.

The more than 100 species of bacteria, and hundreds of species of fungi, protozoa, and viruses that have taken up residence in our mouths is difficult to fathom. Microbiologists estimate that, in addition to these known species, there are up to 500 other living, breathing organisms inhabiting our mouths, although only 50 have been identified and named. The sheer number of these creatures is astronomical, considering the fact that our mouths contain more bacteria than the entire world’s population, and the fact that our bodies house approximately one trillion bacteria.

And this is the beginning of my problem. April was not a good month. For two full weeks, I had a heinous bacterial infection in my mouth.

It started with a chancre sore. Not a huge deal. I’ve had them all my life. I even survived the heart-stopping shock of learning in 8th grade sex ed that chancre sores, like cold sores, are a form of herpes. Now I just deal with them.

But this one, for the first time, was on the tip of my tongue. Creepy. Ugly. Then, a couple days later, I started to get more. Two on my cheek where I bit myself on accident. One in the back of the mouth where my gums meet my cheek. One in the same place on the other side of the mouth. One on the soft palate. One that arrived on the inside of my cheek, as if left by the sadistic evil twin of the Tooth Fairy, overnight. Then — because, as we optimists believe, “it can always be worse” — a second, third, fourth and fifth on my tongue.

I was raging.

Eating, drinking, talking, sleeping — all were miniature excursions into hell. Constant, sharp pain in my mouth all day long put me in a foul mood and gave me a headache. Plus it made me salivate like a dog — some natural, annoying response from the body, I’m sure, like a fever or vomiting — which made me need to move my mouth, which inflicted more pain.

Then the worst of it struck. Some kind of gum infection on the roof of my mouth. Imagine taking a hook, digging it into the flesh around your upper teeth, and stretching it back toward the throat. It would open a pretty angry-looking, sensitive sore. Then fill that sore with dead, gray, decaying tissue. Then add an unpleasant odor. Now multiply it by two, one for each side of the mouth.

I lost almost 10 pounds eating nothing but oatmeal, boxed mashed potatoes, and macaroni with butter. (I couldn’t eat, but I looked fabulous!) I found myself eyeing baby food at the drug store while I was waiting for my prescriptions. Eventually the oatmeal had to go, because it was hard to dig it out of the sores with my tongue. Mashed potatoes I could roll into a ball and carefully pass back to my throat on my tongue. The macaroni was the best, because it just kind of slid down. No tongue. No chewing. Bliss.

I saw three doctors in a week and a half. The third one brought a bunch of his colleagues into the exam room so they could each peer into my mouth with their pen lights. I felt like a circus side show freak. “What can it be?” Whatever it was kept me out of work for a full week.

I assumed it was something bacterial. I thought it might be trench mouth, which I had seen before on someone else. The doctor laughed at me. “Trench mouth? What’s that?”

He only knew it by the more scientific-sounding stomatitis or acute necrotizing ulcerative gingivitis. Pretty, huh? Only the older doctors in the office knew what trench mouth is.

Trench mouth — a severe gum infection — earned its name because of its prevalence among soldiers on the front lines during World War I. Although it’s less common today, trench mouth still affects thousands of young adults between the ages of 15 and 35. The disease is also known by other names, including Vincent’s stomatitis and acute necrotizing ulcerative gingivitis.

Trench mouth begins as a bacterial infection that causes inflamed, bleeding gums, but eventually, large ulcers may form on your gums and between your teeth. These are often extremely painful and can cause bad breath and a foul taste in your mouth.

Although the exact cause isn’t well understood, trench mouth seems to develop when factors such as poor oral hygiene, tobacco use and stress disrupt the balance between “good” and “bad” bacteria in your mouth.

They treated me for something viral with a big fat injection in the butt — one of a possible three, I was promised. Rock and roll. They also gave me antibiotics because, after four doctor’s office visits, no one was able to diagnose the problem. Every test came back negative. Every culture came back normal.

I don’t smoke. I had good oral hygiene. The cultures the doctor extracted and grew showed that there was nothing in my mouth that didn’t belong there. There was just too much of something and not enough of another, I guess. Makes sense, but what the heck could have been so stressful to so upset the balance of good and bad bugs in my mouth?

The antibiotics took effect. No more shots, thank God. The infection cleared in a day or so. Then I just had two craters of raw tissue on the roof of my mouth to heal, hyper-sensitive teeth, and no prospects of using toothpaste in the near future.

My biggest problem, actually, is that I can’t play rugby, because I can’t wear my mouth guard.

At least I’m back to solid food again.

15
Apr
06

Threepenny Opera

We recently saw the Roundabout Theater’s revival of Threepenny Opera, starring Alan Cumming, Cyndi Lauper, Ana Gasteyer and Nellie MacKay, while it was in previews. I didn’t love it but I enjoyed it. We ended up with great seats because I had screwed up and bought tickets for a Wednesday show and not the Friday show we were at. So, they gaveus best available, which was halfway back on main level, not up in the balcony, two rows in front of the back wall. Sometimes being an idiot pays off.

I know nothing about Berthold Brecht or previous performances of the show. And all I knew about it beforehand was that “Mac the Knife” came from it and the Bea Arthur was in a 1950s staging of the show. I saw her sing Pirate Jenny in her one-woman show a few years ago. So, I figured it would be pretty dark and baudy; low-brow. But it was far darker and baudier than I expected. And I didn’t get all the preachy moralizing about the criminal class at the end, but whatever… I don’t need to.

The cast was great; a good mix of voices and styles. It was less like watching a show than like watching a bunch of people getting together to put on a show. A review I read recently was highly critical of the production, but the writer found the individual performances praiseworthy, like the actors were all gathered to create for something great and then let down.

But we were there primarily to see Cyndi Lauper — much as we once went to a Cher concert only because she did a set between the forgettable opening act and Cher’s overambitious but entertaining headline performance. (More entertaining were the Cher drag queens in attendance.) She had blue hair. She walked out into the arena audience. It was bliss.

In Threepenny Opera, my girl Cyndi has an A+ voice. I mean, really top form. Total control. Her spine-tingling pipes start out the show from dead, dark silence with the opening song, “Mac the Knife.” I was so happy for her.

I’d have to give her stage acting something closer to a B+. Her lines were fine. She seemed mostly natural, but her timing was clearly off. I wasn’t disappointed, per se. Even though she’s only in three of four scenes. And I think they gave one of the songs she is supposed to sing to Nellie MacKay. Plus, it was in previews, and I’m sure she picked up a few things here and there to improve the part.

Cyndi’s moxie is in her singing voice. She expresses herself through a song. Her voice makes the mood of the lyric. This is why she’s good in a video. As amateurish as it may seem by more current standards, Time After Time can still make me cry. When she’s on that train doing that weird sign language with her hands, saying goodbye to her boyfriend, it’s wrenching. Why is she leaving? Who knows. Who cares? She’s leaving, and thats always the worst thing, right? Simple. Expressive. Real enough. And that RCA dog statue? Genius. Same with Madonna, incidentally, though Madonna has markedly less vocal talent than Cyndi Lauper. I think her best acting was in Evita, which is a two-hour music video.

13
Apr
06

The Best Medicine

Since graduating from college, I have always made a point of having a gay doctor. I recommend it to everyone, especially gays like me. It’s easier to talk about sex things with a gay doctor. There’s so much less judgment than with a straight doctor — or to be fair, what I perceive to be judgment. It’s just easier. Moving to a new city? Make it a first order of business. Library card. Roach traps. Gay doctor.

A gay doctor won’t have unfunny and slightly unsettling framed copies of comic strips like one in my otolaryngologist’s office in which a doctor stares blankly at a patient in some measure of pain, saying, “It’s a good think you’re here. I just punctured your eardrum.” There’s also one with the doctor examining a cow wearing a bell on her collar, saying, “I think I know what’s causing the ringing in your ears.”

Nope. Won’t find these things in a gay doctor’s office.

A gay doctor always has good modern art in his waiting room and exam rooms. Oftentimes there are beautiful, ponderous photographs from local photographers. The doctor probably knows the artist, as a friend or as a patient. Many non-gay doctors are content with motel-grade squiggles and geometrical designs on the walls — or worse, they’ll hang prints of baby animals or beaches or places they’ve been skiing. Gay doctors will have vintage posters from local theatrical productions — a 1980 The Pirates of Penzance, for example, or “Goldilocks and the Three Bears” from a reputable children’s theater.

A gay doctor has beter magazines, too. He’ll eschew Highlights for Children, Time and Reader’s Digest in favor of The New Yorker, The Advocate, Architectural Digest.

Oh, a gay doctor’s office is a veritable gay playground!

28
Mar
06

I Heart Sufjan Stevens

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There are three I’s in Illinois
[ArtistDirect.com]

I am developing a small obsession with a folk musician from Michigan. I hear him all the time. But the problem is I just don’t like his music.

I want to like it. I really do. Critics roundly praise him. Public radio certainly loves him. (Find him on WNYC.org or NPR.org or MPR.org.) And I love public radio. So, there’s something, right?

But I’m just not feeling it. So I must be a joyless freak for not adoring him, I guess.

I bought Jeff his album Greetings from Michigan for Christmas. <!–(Take one look at Jeff, and you’ll see why.) –>The best thing about it is the cover art and the song titles — clever, promising numbers any Michigan nerd would love such as “Flint (For The Unemployed And Underpaid),” “For The Windows In Paradise, For The Fatherless In Ypsilanti,” “Say Yes! To M!ch!gan!,” “Detroit, Lift Up Your Weary Head!,” “They Also Mourn Who Do Not Wear Black (For The Homeless In Muskegon),” and “Oh God, Where Are You Now? (In Pickeral Lake? Pigeon? Marquette? Mackinaw?).” But listening to it in the car driving from Detroit to Saginaw was a rather depressing experience.

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More than a pretty picture
[www.musichallsf.com]

I like his guitar playing. I like his 50-state idea — the album after Michigan is Come on Bring the Illinoise. (I hope he makes it through all 50.) And he’s a total cutie-pie.

See? –>

But his music always leaves me with the feeling of having been at a high school music recital. There’s always a weird, unconnected brass arrangement or xylophone or something. His voice is cute but … shall we say unadorned. A whisper. A shadow. He uses layer upon layer of instruments and noise, but somehow it comes off sounding as flat as the Michigan sugar beet fields. It all adds up to a unique, very specific, practiced amateurish sound.

A sound I just can’t love.

Image hosting by Photobucket
Sufjan Stevens and the Michigan Militia
[Sufjan.com]

But I will continue to try to love it. He’s more than a pretty picture; he’s clearly talented and prolific and musically versatile. Whatever he’s doing is deliberate, and that’s very cool. He is unique. I wouldn’t deny that I respect him. And I’m delighted that he’s getting so much attention.

The bottom line, I guess is: He’s a fellow Michigander — born in Detroit, raised up north. So I remain loyal to him. I wish him boundless success. I hope that I will begin to like his work very soon. And above all, I dream of the day he shows up at my doorstep, having been caught in a sudden rainstorm, his steaming t-shirt clinging to his lean, lithe body, asking me for a towel.

Let’s get you out of those wet clothes, shall we, Mr. Stevens?

16
Mar
06

Putting on Your Face

There’s a kiosk shop at Manhattan Mall for Vera Moore Cosmetics. I see it every time I walk through the mall to get to my gym. I wonder if there’s any relation to Benjamin Moore, the paint company.

Benjamin Moore covers the interiors and exteriors of buildings. Vera Moore covers the exteriors of people. Seems like a natural, marvelous connection. What if the companies merged? They could make everything pretty. But only on the surface. There’s nothing they could do about the interiors of people.

Reminds me of one of my favorite Sandra Bernhard routines. She’s talking about a fictional friendship with Courtney Love — “… a tear, a bruise. So tender; so fragile” — and she closes the monologue with “Courtney, what plastic surgeon is going to go in there and fix all of the scars in your heart?”

06
Mar
06

Oscar: The Grouch

I thought for sure Felicity Huffman and Heath Ledger were going to win last night. My only Oscar predictions that came true were that Jake Gyllenhaal would not win Best Supporting Actor and that Brokeback Mountain would win either Best Picture or Best Director but not both.

It was supposed to be a great year for the Gay Film, right? No one can deny that the nominations of Huffman, Ledger, Gyllenhaal, Phillip Seymour Hoffman, Ang Lee and Brokeback Mountain are important. It’s excellent company. But as selfish filmgoers, we want wins, of course.

I didn’t see Walk the Line, so I don’t know anything about Reese Witherspoon’s performance. She gave a great acceptance speech. And I loved her in Legally Blonde. So, OK… Give her the Oscar. (That’s a joke, btw.) Sorry, Felicity. Go home and polish your Emmy. But take heart: A lot of Desperate Housewives watchers — from cities without art-house theaters — probably would never have known you played a transsexual if not for the Oscar broadcast.

I didn’t see Capote, but Hoffman is amazing in everything he does, so it’s entirely possible that he deserved the Best Actor win as much as Ledger. I’m similarly disappointed, but it’s still a gay role — albeit I think a more “standard,” less provocative, less interesting and safer gay role. So… chalk one up, I guess, eh?

And even though I didn’t expect Brokeback to get Best Picture after Ang Lee won Best Director, I still can’t believe that Crash won! OK, the “It’s Hard out Here for a Pimp” win was kinda cool — even though a second Oscar loss for Dolly Parton tears at the fabric of my gay soul. But Best Picture? Considering what it was up against? I can’t fathom how they pulled that one off. Crash was a good movie. I like the questions it raised. But it was obvious, too full of coincidence, and a little overbearing.

It’s almost like the Academy wanted to throw a bone to all the nominated films — no film goes home empty-handed! And as a result, the wins don’t seem quite so golden.

Maybe it’s not such a surprise that the gay-themed work didn’t sweep. There are other good movies in the world. But what the hell is this quotation in an Associated Press article from an Exodus International goon supposed to mean?

“I think America sent a message to those in the industry that this isn’t something that they’re interested in, and hopefully this was something that weighed heavily on them as they voted for these pictures,” said Alan Chambers, president of Orlando, Fla.-based Exodus International, a Christian organization that promotes “freedom from homosexuality.”

First of all, I object to his inclusion in the article as a balance to GLAAD. They are not equal and opposite. Maybe if there were a group that was out there to turn straights into gays, this Chambers would have something to say worth listening to. But to set someone who wants to convert gay people into straight people against someone who merely wants to make sure gays are treated fairly in the media is idiocy.

Besides that, though, “America sent a message”? What a dumbass. America doesn’t vote for the Oscars. America went to the movies in hordes and droves and ate these movies up. And what kind of message does he suppose “America” sent with the gay nominations in the first place? Oh yeah … Clearly a lack of interest.

I read another article that cited the show’s “gay cowboy” montage as being in poor taste, which also bothered me.

If the insinuation of being gay were an insult, i.e., a bad thing, of course it would be bad taste. The trouble is, it’s not. The comment stands in sharp contrast to the opening sequence where John Stewart wakes up in bed with a grinning George Clooney, which was hilarious. It’s OK to insinuate a same-sex attraction in John Stewart but not in John Wayne? When it’s clearly a joke? What is this double standard? Again, the cowboy — honestly, a minuscule piece of American identity — is held up as some gold standard of masculinity. The writer shows that he clearly didn’t get the joke — or the significance of Brokeback Mountain.

Unless these “real men” can roll with the joke, until they can realize that their masculinity, their lifestyle and their image (certainly their marriage) are not being threatened, I will not believe that they are real men at all.

Brokeback or “the gays” didn’t need to sweep last night. But it would have been nice. It would have been fun. Truly, I don’t like it when one movie wins everything. It seems myopic, lazy, unimaginative. And the Oscars don’t need to score points for the Gay Rights movement. And even if they did, I’m not sure it would really be speaking to the core of middle-American thought. Far more important, I think, is the work that was done to bring these roles and these films closer to the mainstream. Far more important is the nomination, the attention and the discussion.

And, of course, the image of John Stewart waking up in bed next to George Clooney.

04
Mar
06

“Ain’t Got No Money, Ain’t Got No Honey.”

Down in the subway station at 74th and Broadway in Jackson Heights, where you can get the E, V, F, G, R and 7, there’s a terribly depressing man who pops up from time to time. He wanders up and down the platform trying to sell a piece of jewelry to commuters. It’s a “gold” necklace with one of those charms on it, usually a woman’s name in scripty lettering, or something like “love” or “precious.” I never get close enough to read the thing.

The guy is old and evidently in poor health. Missing teeth. Crackling skin. If he were a fishmonger or a butcher, in my simple, little world, he might be considered haggared in a charming, story-book way, if not for one thing. His right lower eyelid sags drastically, looking like it’s turned inside-out to reveal pink, moist, swollen flesh that surrounds and obscures the eye itself and leaks fluid down his cheek. It looks like an infection that’s been split open and spread wider. I find it horrifying.

He dangles his trinket out in front of himself, stopping people as they descend the stairs or walk past on their way to the platform edge.

“Ain’t got on money, ain’t got no honey,” he calls out.

Not quite “Feed the birds. Tuppence a bag.” But I guess you gotta have a gimmick.

Apparently he’s appealing to the more shallow part of ourselves that is willing to believe that a flash piece of jewelry will be enough to win the affection (or at least the attention) of our dearest.

People do their best to ignore or avoid him. And, to his credit, he doesn’t press the sale.

I can’t imagine anyone buying this thing from him. It’s tacky. And he’s scary. Assuming he has held onto his sanity through his difficult years, I don’t imagine he expects anyone to buy it. It might just be a pretense for getting some spare change. Or maybe he’s just crazy, after all. I want to give him some Visine and an eye patch. I wonder if he’d get more attention that way.




the untallied hours