Archive for the 'Nostalgia' Category



28
Aug
06

Happy Birthday to Me!

Today, this blog turns one year old. For he’s a jolly good fellow, and all that… and many happy returns.

Or, many happy enters. Depends on the keyboard, I guess.

03
Aug
06

Minneapolis, How Do I Love Thee? Let Me Count the Ways.

Just feeling nostalgic.

• Nordeast Minneapolis
Surdyk’s
• Surdyk’s Cheese Shop
• The unshaven, misanthropic Surdyk’s Cheese Shop workers — Can I try a slice of … that one?
Nye’s
Psycho Suzy’s Motor Lounge
• Room in the back yard for a vegetable garden, an herb garden, and a butterfly garden
• Fish & chips at Brit’s Pub
• Aloof disdain for the Mall of America
Guthrie Theater
Jungle Theater
Walker Arts Center
The Lagoon Theater
Bryant Lake Bowl
Dykes Do Drag
• The Mississippi River
• Progressive politics
• City Hall
• The Skyway
Lake Calhoun
• Watching the joggers, rollerbladers and cyclists at Lake Calhoun
• Lakewood Cemetary
• The luminescent Target Corp. tower
Loring Park
Minnehaha Falls
Stone Arch Bridge
• St. Anthony Main
• Let It Be Records
• Big Brain Comics
• The Capitol
• The House of Cards parking ramp
• ’80s night at The Saloon
• Doc, the best bartender I’ve ever seen
• Professing hatred for The Gay ’90s but going there to dance in the retro bar anyway
Minnesota Public Radio
• People who know where Lake Wobegon is
St. Paul’s Cathedral
Caribou Coffee
• The straight kickboxer bartender at Trikkx who worked shirtless during happy hour
• Disagreeing with the snobby, joyless movie reviews in CityPages
• The stupid-looking banner of the Star Tribune
The Minnesota State Fair
• St. Paul
• All my friends

27
Jul
06

I’m Super! (Thanks for Asking.)

I loved Superman Returns. It was exactly what we needed after Superman III and IV and the untimely passing of Christopher Reeve. Bryan Singer paints the character with a gentle, loving brush. And we fall in love again. The movie is gorgeous, as is the impossibly pretty Brandon Routh. And he does a killer interpretation of Reeve’s geeky Clark Kent.

It did for Superman what Batman Begins did for Batman. Thank god for Chris Nolan. I still adore Tim Burton’s two Batman films — dark, macabre and gorgeous. The scripts were weak, but those movies were always primarily about mood and design and stand-out villains. Then Joel Schumaker ruined the series with his be-nippled caped crusaders in Batman & Robin and Batman Forever.

With Sam Raimi’s Spider-Man series and a strong X-Men series (despite negativity about III), superhero movies are back in our good graces. These directors have breathed new life into the newsprint golems of our childhood.

I learned recently that the attempt at a Smallville-like stab at an Aquaman TV series was aborted. This makes me sad, primarily because Justin Hartley is such a wonder to behold. And, let’s face it, people watch these WB shows for the boys, right?

At least you can get the pilot on iTunes!

I’m still waiting for a Green Lantern movie. He and Batman have always been my favorites. So when I took the “Which Superhero Are You?” quiz the other day, I was surprised — and a little disappointed to find that …

You are mild-mannered, good,
strong and you love to help others.
[Which Superhero Are You?]

I am Superman

I can live with this, I guess. I am kind of a boy scout, aren’t I?

But before I could get over that, along comes Who Wants to be a Superhero?, premiering tonight.

[Pause for reaction…]

Who are these people?

Levity is clearly gay and very cute. At first I thought his superpower would be stand-up comedy or something. Like he defeats his enemies by causing uncontrollable fits of hysterical laughter. His weakness would be humorless Republicans, etc… But I was taking the concept of levity too metaphorically.

Personally, I’m betting on Fat Momma.

23
Jul
06

Kenny Rogers: Promethean Giver of Truth

There was a time in my life when the songs that influenced me most were the hymns we sang at Catholic Mass.

I am the bread of life,
Those who come to me shall not hunger,
Those who believe in me shall not thirst
No one can come to me
Unless the Father beckons.

Refrain:
And I will raise him up
And I will raise him up
And I will raise him up
On the last day

Those days are all but over, but I miss it sometimes. I loved the music at church, especially when they’d haul out the choir every once in a while. The music was always the best part of Mass for me. I used to copy the notes out of the hymn book to pass the time, measure by measure, into a little notebook my mom kept in her purse. I didn’t know what they meant exactly, but it felt like a productive task at the age of 5. But the lyrics… These songs were so abstract. Bread? It was good for Communion, good for Easter, but a man cannot live on the Bread of Life alone, right?

There was also, of course, Schoolhouse Rock.

Interplanet Janet, she’s a galaxy girl,
A solar system Ms. from a future world,
She travels like a rocket with her comet team
And there’s never been a planet Janet hasn’t seen,

A bit weird, maybe. How about:

I’m just a bill.
Yes, I’m only a bill.
And I’m sitting here on Capitol Hill.
Well, it’s a long, long journey
To the capital city.
It’s a long, long wait
While I’m sitting in committee,
But I know I’ll be a law some day
At least I hope and pray that I will
But today I am still just a bill.

But there was a golden great I’ve been reminded of recently that taught me so much more.

On a warm summer’s evenin’ on a train bound for nowhere,
I met up with the gambler. We were both too tired to sleep.
So we took turns a starin’ out the window at the darkness
‘Til boredom overtook us, and he began to speak.

He said, “Son, I’ve made a life out of readin’ people’s faces,
And knowin’ what their cards were by the way they held their eyes.
And if you don’t mind my sayin’, I can see you’re out of aces.
For a taste of your whiskey I’ll give you some advice.”

So I handed him my bottle and he drank down my last swallow.
Then he bummed a cigarette and asked me for a light.
And the night got deathly quiet, and his face lost all expression.
Said, “If you’re gonna play the game, boy, ya gotta learn to play it right.

You got to know when to hold ’em, know when to fold ’em,
Know when to walk away and know when to run.
You never count your money when you’re sittin’ at the table.
There’ll be time enough for countin’ when the dealin’s done.

Ev’ry gambler knows that the secret to survivin’
Is knowin’ what to throw away and knowing what to keep.
‘Cause ev’ry hand’s a winner and ev’ry hand’s a loser,
And the best that you can hope for is to die in your sleep.”

And when he’d finished speakin’, he turned back towards the window,
Crushed out his cigarette and faded off to sleep.
And somewhere in the darkness the gambler, he broke even.
But in his final words I found an ace that I could keep.

You got to know when to hold ’em, know when to fold ’em,
Know when to walk away and know when to run.
You never count your money when you’re sittin’ at the table.
There’ll be time enough for countin’ when the dealin’s done.

The Gambler by Kenny Rogers. This is one of my all-time favorites. This was the stuff of real life. Metaphors that gave me some insight into the grown-up world — even if I didn’t know exactly what he was singing about at the time. I used to imagine a satanic, horned man dealing cards to a table of cowboys whenever I heard Kenny sing: “There’ll be time enough for counting when the demon’s done.”

(I must have had a little too much of the Bread of Life.)

Still, I was astute enough to gather valuable lessons about:

• Cross-country railroad etiquette
• The joys of traveling without a destination
• How to share a smoke
• The value of a sip of whiskey
• Winning gracefully (you never count your money…)
• Knowing what to throw away (and what to keep)
• The unpredictability of life
• The inevitablilty of death, and the ability to look at it without sentimentality
• And most importantly, how to tell a story

There’s another famous attempt at a similar theme:

I’m a gambler, and I will take you by surprise
Gambler, I’ll aim this straight between your eyes
Gambler, yeah I know all the words to say
‘Cause I’m a gambler, I only play the game my way, yeah

Not nearly as informative, I think. But it’s a lot of fun, and you can dance to it.

10
Jun
06

A Prairie Homesick Companion

We saw A Prairie Home Companion yesterday. I loved it, but found it truly odd, rather like the radio show on which it is based. The movie seemed to be about nothing. It followed no particular path or plan. This is the mark of an Altman film, of course, but also shows a heavy influence of Garrison Keillor. It was like a two-hour “News from Lake Wobegon” monologue set to a screenplay: an aloof, meandering, and largely ad-libbed story told in Keillor’s grave, butterscotch voice. Just a slice of life. Nothing important. Nothing more to see here, folks. Move along now.

And that is precisely is why it was so good.

It was also an intensely personal experience for me — to the point of distraction. It made me strongly nostalgic for my adopted home. My North Star. My Minnesota.

I lived in Minneapolis for six years and worked at Minnesota Public Radio in downtown St. Paul, where the film was shot. (Keillor’s folks would want me to take great pains, I am sure, to make clear that Prairie Home Productions is a separate company from MPR, and that A Prairie Home Companion is distributed by American Public Media, also a separate company. Though they are all like in-laws at a family reunion potluck wondering whose ambrosia salad will go home untouched.)

Half the fun was seeing people and places I once saw daily. I knew that the movie would be like a photo album for me, but I did not want to be the annoying guy up front pointing out the bottles of Grain Belt Premium beer stacked up at the Fitzgerald Theater concession cubby (Who but a Minnesotan knows what this stuff is?) and that the interior of the Fitzgerald had been repainted for the movie and that the room with the box seats where Tommy Lee Jones sits is actually a production booth in real life.

The film takes place at the Fitzgerald, where the real show happens every week for most of the year. We used to have all-staff meetings and our holiday cabaret party there. In one of the final scenes, some of the men working backstage are theater staff in real life. I never knew their names, but I recognize them!

I annoyed Jeff right away by squealing quietly when the camera panned to Mickey’s Diner in the opening scene. Mickey’s looks like an old, stationary railroad dining car at W. 7th Street and St. Peter. A historic St. Paul landmark. Essentially a burger joint. But you don’t go there for the food. You go there because it’s Mickey’s.

A ridiculous movie called Jingle All the Way used exterior shots of the diner, but the interior, where Gov. Schwarzenegger and Sinbad get into a fist fight over a toy robot, is a lamentable fake. Keillor’s movie, however, authentic down to the Grain Belt, is the real chrome-plated deal.

“You’re not going to do that all through the whole movie, are you?” he said.

And truly, I wasn’t going to.

The radio show in real life is actually better than the radio show in the movie. The musical feel is the same, but there’s more humor and a number of radio sketches and fake commercials and such.

My connection to Garrison Keillor is minor at best. I met him when I worked on the A Prairie Home Companion Web site for a year at MPR. My first meeting with him was in his cluttered office. He was barefoot. I had just been given responsibility for the Web site representing his show. He wanted us to completely redesign the site, which was the largest, most visited, most visible and most beloved of all the sites that MPR produced.

No pressure.

Oh, and have it done in three weeks in time for the launch of the new season.

And we did. The home page, and the major architecture, anyway. The rest of it came in phases throughout the next year.

I met with him again to show him design sketches from our truly marvelous Web designer Ben. (I mean it. This guy is good.) It was at his house in a fashionable St. Paul neighborhood. We sat at his dining room table. I fell in love with his kitchen. And I couldn’t help but think, “I’m discussing Web site navigation with a genius.” But he’s so… normal and homey. So… Minnesotan.

As we were leaving, he gave me and the designer copies of his latest book at the time and a new CD compilation of Lake Wobegon stories. I didn’t dare ask for an autograph. It felt petty and ungrateful at the time. Unprofessional. And I didn’t want to seem impressed. I was a colleague first, a fan second.

I can remember back when he was working on a nebulous “screenplay.” Who knew what it was about? Didn’t matter. The man was always writing something. He is so busy and so prolific. I respect him immensely. A weekly radio show, a book or two, a screenplay, an op-ed, an essay, plus whatever we could squeeze out of him for the Web site. Sure, he has time for it all! I remember a blog I had set up for him, to use as a travel log while the show made stops around the country one summer, in which he noted a visit from Robert Altman, who attended the L.A. show. Hmm… Interesting… That Keillor sure gets around, don’t he?

And here we are with a full-blown movie.

Oh my god! Meryl Streep and Lily Tomlin are sitting in the seat at Mickey’s where I always sat! I had chili fries Right There!

(P.S. It’s also the same booth where Jeff spilled a whole Coke on his lap. Maybe that’s why he shushed me.)

06
Feb
06

Left on the Tracks

I often wonder about the stuff that gets lost on the subway tracks. Not the bottles and bags and wrappers — who cares? But a child’s shoe? A stuffed animal holding a heart that says “I Love You”? A wrapped bouquet of flowers? These things meant something to someone at one time. Maybe they meant the wrong thing. (I’d like to see how the flowers ended up down there.) But they meant something.

It’s kind of crazy, the things we place emotional value on. When I was a little kid, I had a wooden toy dog on wheels. The axles were bent, on purpose, I think, to make the dog wobble as you pulled him along on his red string. His little plastic ears hung down on swivels and swung forward and back as he hobbled along.

I used to have recurring nightmares of dropping that dog into Lake Michigan (technically, the Straits of Mackinac) while crossing the Mackinac Bridge on foot. I’d dangle it over the edge and watch it swing. You know that way kids take risks with their toys — or their lives — dangling things in dangerous places. Some of us as adults continue to do this.

I’ve never been on that bridge on foot, and I don’t know if it’s even possible to dangle anything over the edge. (Though I’ve been on it plenty of times in a car, and I do know it’s possible to get knocked off that bridge without dangling anything.) Nonetheless, it was horrifying for me to consider.

14
Nov
05

I Still Don’t Remember Her Name

In downtown Minneapolis, there is a parking garage at 9th Street and La Salle that looks like it will collapse at any minute. I called it the House of Cards Ramp, but it was cheap and close to The Saloon, where I was most likely to be found on a weekend evening, so I parked there often.

After a certain hour, the parking attendant no longer took money by hand, and drunk drivers were forced to insert dollars and quarters into a machine that controlled the exit arm. (Many times have I received an annoying 68 quarters after inserting a $20 bill.) The attendant was still on duty at this time, but hiding out in the little office, and he would only come out when the machine malfunctioned and the drivers were making enough of a fuss about it.

One night, a new person had started working the booth. She should have been a librarian or a high school hall monitor. She was a largeish woman, shaped somewhat like “Martha Dumptruck” from Heathers. She was probably in her mid-30s. She had large plastic-frame glasses, curly hair, a penchant for wearing pink sweaters, and such a pleasant and sweet demeanor that I wondered how long she would last at this particular job.

She was the sweetest thing, always saying hello and good-bye, efficiently counting my change and dropping the coins smartly into my palm. She was a little too nice sometimes, and not at all helpful usually. But somehow, when there was a problem with the after-hours machine, and the cars were lining up behind me expectantly, and she’d stand outside of my door encouraging me simply to try it again, try it again, try it again, the extra attention was always charming and reassuring.

She began to recognize me after a few weeks. She always made me smile on my way out of the House of Cards Ramp, no matter what drama I was escaping at the Saloon. It was fun to be just a little bit flirtatious with her. And one night I asked her for her name. I saw her so often, I said, I might as well know what it is.

I told her mine. And she told me hers.

And I promptly forgot it.

I always felt bad for her, having to deal with all the drunk homos pouring out of that ramp every night. Some people were downright rude to her. And it was beginning to show in her expression. So, I determined to be The Nice Guy.

The next time I saw her, I apologized. “I’m sorry,” I said, “but can you tell me again what your name is?”

She told me again.

The next time I saw her, I was excited to call her by her first name. But to my acute embarrassment, I realized I had forgotten it again. I played it cool. I didn’t use her name, nor did I ask for it again. I just tried to forget about the whole thing.

Over the months, her attitude began to change. She stopped smiling. She stopped talking. She would give me my change without looking up. When the machine malfunctioned, she would not come out and “help” anymore.

The job was getting to her. It was dragging her down. I tried my Nice Guy thing again and asked her for her name one night. She looked up at me, screwed up her mouth, cocked her head to the side, narrowed her eyes and did not answer me. You’ve got to be kidding me, that look said. I recoiled. The smile dropped from my face. I sat back in my seat, and I drove forward.

She had been transformed from a trusting, friendly, kind-hearted school nurse into a heartless, jaded downtown parking attendant. She was meaner than the men who worked there. I felt even worse about her situation and tried to be nice to her — until she started being rude to me.

Sometimes I wouldn’t have three dollar bills, and I’d have to give her a $10 or a $20. And she’d sigh heavily and avoid eye contact, throw open her drawer, and slap down the dollar bills. And I’d have to reach out of the car and grab for it myself. I’d drive away without comment, but strangely my feelings would be hurt.

Then the price went up to $3.50, and I always seemed to forget it. (After years of $3, $3, $3, you think you can count on something.) I’d hand her $3. At least it was correct change, right? And she’d look at me, thrust out her hand, and jab it forward a few times emphatically.

“Three fifty!” she’d bark.

And she’d jog my memory. “Ope! I’m sorry!” I’d say in that in-line-at-the-grocery-store voice. “I forgot again…”

And she would sit there, scowling and thrusting her hand again. I was flabbergasted. It was like being falsely accused of stealing. Maybe she thought I was teasing her. Whatever. I’d drop the precious 50 cents into her palm, and she’d let me be on my way.

She never got better. Sometimes she wouldn’t even shout “three fifty!,” but she’d just stare at me, waving that fucking hand of hers. One time when I forgot the 50 cents and she gave me that attitude, I lost it.

“Look! Calm down! I’m not trying to give you a hard time! I. Just. Forgot.”

But she never cracked that stony exterior. I never saw that nice lady in the pink sweater again. She had became The Raving Bitch of the House of Cards Ramp. That was her official title. We referred to her as The Bitch for short. My friends and I grew to hate her. There was always an edge of sadness to the stories we would make up about her as we drove away, because I remembered how she used to be. But she had lumped me in with the rude idiots who park in that ramp. She mistook my forgetfulness for intentional troublemaking. Before long, her attitude was justified.

I still don’t know her name. Maybe if I’d remembered those years ago, I’d have been able to maintain that small bridge to her kinder side.




the untallied hours